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Emil Artin

Emil Artin
EmilArtin.jpg
Born (1898-03-03)March 3, 1898
Vienna, Austria-Hungary
Died December 20, 1962(1962-12-20) (aged 64)
Hamburg, West Germany
Fields Mathematics
Institutions University of Hamburg
University of Notre Dame
Indiana University
Princeton University
Alma mater University of Vienna
University of Leipzig
Doctoral advisor Gustav Herglotz
Otto Ludwig Hölder
Doctoral students Nesmith Ankeny
Karel deLeeuw
Bernard Dwork
David Gilbarg
Serge Lang
O. Timothy O'Meara
Kollagunta Ramanathan
John Tate
Hans Zassenhaus
Max Zorn
Notable awards Ackermann–Teubner Memorial Award (1932)
Spouse Natascha Artin Brunswick

Emil Artin (German: [ˈaɐ̯tiːn]; March 3, 1898 – December 20, 1962) was an Austrian mathematician. Artin was one of the leading mathematicians of the twentieth century. He is best known for his work on algebraic number theory, contributing largely to class field theory and a new construction of L-functions. He also contributed to the pure theories of rings, groups and fields.

Emil Artin was born in Vienna to parents Emma Maria, née Laura (stage name Clarus), a soubrette on the operetta stages of Austria and Germany, and Emil Hadochadus Maria Artin, Austrian-born of mixed Austrian and Armenian descent. Several documents, including Emil’s birth certificate, list the father’s occupation as “opera singer” though others list it as “art dealer.” It seems at least plausible that he and Emma had met as colleagues in the theater. They were married in St. Stephen's Parish on July 24, 1895.

Artin entered school in September 1904, presumably in Vienna. By then, his father was already suffering symptoms of advanced syphilis, among them increasing mental instability, and was eventually institutionalized at the recently established (and imperially sponsored) insane asylum at Mauer Öhling, 125 kilometers west of Vienna. It is notable that neither wife nor child contracted this highly infectious disease. Artin's father died there July 20, 1906. Young Artin was eight.

On July 15, 1907, Artin’s mother remarried to a man named Rudolf Hübner: a prosperous manufacturing entrepreneur in the German-speaking city then called Reichenberg, Bohemia (currently known as Liberec, in the Czech Republic). Documentary evidence suggests that Emma had already been a resident in Reichenberg the previous year, and in deference to her new husband, she had abandoned her vocal career. Hübner deemed a life in the theater unseemly unfit for the wife of a man of his position.


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