El Tri | |
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Background information | |
Also known as | Three Souls in My Mind |
Origin | Mexico City, Mexico |
Genres | Rock, rock and roll, psychedelic rock, hard rock, acoustic rock, blues-rock, blues |
Years active | 1968–present |
Website | www.eltri.com.mx |
Members |
Alex Lora Chela Lora Eduardo Chico Oscar Zarate Rafael Salgado Ramon Perez |
El Tri is a Mexican rock band from Mexico City fronted by Alex Lora. It is a spinoff of , formed in 1968. The group is regarded as influential in the development of Mexican rock music.
Over the years, El Tri's sound has touched on several different styles including rock, psychedelic rock, hard rock, acoustic rock, blues-rock, and blues. The group has enjoyed moderate success garnering numerous gold-certified albums in Mexico.
The name "Three Souls in My Mind", now commonly noted by its initials TSIMM, was initially chosen as a nod towards conventions for long band names in rock and roll. Originally composed of Alejandro Lora on bass Memo Berea lead guitar and lead vocals, Ernesto de Leon on lead guitar, and Carlos Hauptvogel on the drums, the band has been accompanied on some albums by Arturo Labastida on saxophone and Carlos Martinez on trumpet. Sergio Mancera also played guitar on some albums. They performed their first public engagement in October, 1968, and released 15 albums on the RAFF record label before officially changing their name and lineup in 1985.
As rock in Mexico was originally seen as 'unauthentic' when sung in Spanish, Three Souls mostly sang covers of American rock and blues songs in English. However, at the Festival de Avándaro, often called "Mexico's Woodstock", they crossed over, singing first in English, then in Spanish. From then on they recorded primarily in Spanish, writing most of their own songs. When asked why they switched to Spanish, Lora replied that it was important for the audience to understand the messages of the songs. While Three Souls had a popular following among the younger generation while singing in English, changing attitudes toward rock pushed the band to perform in the 'hoyos fonquis', where the lower classes held semi-chaotic rock shows." Singing in his original language and for a new, energetic, young, and discontented audience, Lora's songs began reflecting more of the reality of the daily lives of average Mexicans.