Einar Englund

Sven Einar Englund (June 17, 1916 – June 27, 1999) was a Finnish composer.

Sven Einar Englund was born at Ljugarn in Gotland, Sweden, on June 17, 1916; he died June 27, 1999 in Visby, Sweden. He married twice: in 1941 to Meri Mirjam Gyllenbögel, who died 1956 (they had one son and two daughters including the ballerina and choreographer Sorella Englund); and in 1958 he married , a singer, with whom he had one son.

One of the most important Finnish symphonists since Jean Sibelius, Englund was a native Swedish speaker who often felt that his career was sidelined from the mainstream of Finnish music.

He was 17 when he began studies at the Sibelius Academy in Helsinki in 1933. Already a considerable pianist, he continued his studies with Martti Paavola and Ernst Linko while studying composition with Bengt Carlson and Selim Palmgren.

Following his graduation in 1941, Englund was conscripted into military service. During his time in the Finnish Continuation War he was wounded in his hand, which almost brought to an end his hopes of pursuing a career as a concert pianist. He would often recall the bizarre, though life-threatening incident, with a smile.

Englund's first work for large orchestra was his First Symphony (1946), which became known as the "War Symphony". This was no apprentice piece; the use of counterpoint, dissonance and orchestration of singular clarity reveals a master at work. His Second Symphony, the "Blackbird Symphony", soon followed the first.

In 1949 Englund was awarded a grant to study in the United States with Aaron Copland, and he also played jazz with Leonard Bernstein. It has been suggested that Englund's study with the American master consisted of discussions about music and composition, Copland having realised that there was little he could teach the younger man.

Throughout the 1950s he produced a series of large-scale works including Sinuhe, a ballet (1953) originally for piano though later orchestrated, and Odysseus (1959), written for the Swedish dancer and choreographer Brigit Cullberg, a Cello Concerto (1954) and the First Piano Concerto (1955), as well as film scores and incidental music. His score for Erik Blomberg’s Valkoinen peura (The White Reindeer), which won a Jussi Award (the Finnish Oscar), and his score for Max Frisch’s play The Great Wall of China are particularly notable.

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