Egon Schiele
| Egon Schiele | |
|---|---|
Self Portrait with Physalis, 1912
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| Born |
Egon Schiele 12 June 1890 Tulln an der Donau, Austro-Hungarian Empire |
| Died | 31 October 1918 (aged 28) Vienna, Austro-Hungarian Empire |
| Nationality | Austrian |
| Education | Akademie der Bildenden Künste |
| Known for | Painting, drawing, printmaking |
| Notable work | Seated Woman with Bent Knee; Cardinal and Nun; Death and Maiden; The Family |
| Movement | Expressionism |
Egon Schiele (German: [ˈʃiːlə]; 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.
Schiele was born in 1890 in Tulln, Lower Austria. His father, Adolf Schiele, the station master of the Tulln station in the Austrian State Railways, was born in 1851 in Vienna to Karl Ludwig Schiele, a German from Ballenstedt and Aloisia Schimak; Egon Schiele's mother Marie, née Soukup, was born in 1861 in Český Krumlov (Krumau) to Johann Franz Soukup, a Czech father from Mirkovice, and Aloisia Poferl, a German Bohemian mother from Cesky Krumlov. As a child, Schiele was fascinated by trains, and would spend many hours drawing them, to the point where his father felt obliged to destroy his sketchbooks. When he was 11 years old, Schiele moved to the nearby city of Krems (and later to Klosterneuburg) to attend secondary school. To those around him, Schiele was regarded as a strange child. Shy and reserved, he did poorly at school except in athletics and drawing, and was usually in classes made up of younger pupils. He also displayed incestuous tendencies towards his younger sister Gertrude (who was known as Gerti), and his father, well aware of Egon's behaviour, was once forced to break down the door of a locked room that Egon and Gerti were in to see what they were doing (only to discover that they were developing a film). When he was sixteen he took the twelve-year-old Gerti by train to Trieste without permission and spent a night in a hotel room with her.
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