Doo-Wop
| Doo-wop | |
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A typical doo-wop chord progression in C major (
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| Stylistic origins | |
| Cultural origins | 1940s–early 1960s, United States |
| Typical instruments | Double bass - Electric guitar - Saxophone - Drums - Piano - Harmony vocals |
| Derivative forms | |
| Regional scenes | |
| Other topics | |
| 50s chord progression | |
Doo-wop is a genre of music that was developed in African-Americans communities of New York City, Philadelphia, Chicago, Baltimore, Newark, Pittsburgh, Cincinnati, Detroit, Washington, D.C. and Los Angeles in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time. Singer Bill Kenny (1914–1978) is often called the "Godfather of Doo-wop" for his introducing the "top and bottom" format which featured a high tenor singing the lead and a bass singer reciting the lyrics in the middle of the song. Doo-wop features vocal group harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation, and simple music and lyrics.
The first record to use the syllables "doo-wop" was the 1955 hit "When You Dance" by The Turbans. The term "doo-wop" first appeared in print in 1961. During the late 1950s many Italian-American groups contributed a significant part in the doo-wop scene. The peak of doo-wop was in 1961. Doo-wop's influence continued in soul, pop, and rock groups of the 1960s. At various times in the 1970s, 1980s, and 1990s, the genre has seen revivals. Doo-wop was a precursor to many of the African-American musical styles seen today. An evolution of jazz and blues, doo-wop also influenced many of the major rock and roll groups that defined the later decades of the 20th century. Doo-wop is iconic for its swing-like beats and using the off-beat to keep time. Doo-wop laid the foundation for many musical innovations, for example, R&B.
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