Dmitry Bortniansky
| Dmytro Bortniansky | |
|---|---|
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| Born |
28 October 1751 Hlukhiv, Cossack Hetmanate, Russian Empire |
| Died | 10 October 1825 (aged 73) Saint Petersburg, Russian Empire |
| Era | Classical |
Dmytro Stepanovych Bortniansky (Ukrainian: Дмитро Степанович Бортнянський) or Dmitry Stepanovych Bortniansky (Russian: Дмитрий Степанович Бортнянский, ; alternative transcriptions of names are Dmitri, Bortnianskii, and Bortnyansky; 28 October 1751–10 October [O.S. 28 September] 1825) was a Russian composer and conductor of Ukrainian origin.
Bortniansky is best known today for his liturgical works and his prolific contributions to the genre of choral concertos. He was one of the "Golden Three" of his era, along with Artem Vedel and Maksym Berezovsky. Bortniansky composed in many different musical styles, including choral compositions in French, Italian, Latin, German and Church Slavonic.
Dmytro Bortniansky was born on 28 October 1751 in the city of Glukhov (in present-day Ukraine), then a part of the autonomous Cossack Hetmanate within the Russian Empire, into the family of Stefan Skurat (or Shkurat), a Lemko-Rusyn Orthodox religious refugee from the village of Bortne in the Malopolska region (he was entered in the Cossack register at Glukhov in 1755). At the age of seven, Dmitry's prodigious talent at the local church choir afforded him the opportunity to go the capital of the empire and sing with the Imperial Chapel Choir in St. Petersburg. There he studied music and composition under the director of the Imperial Chapel Choir, the Italian master Baldassare Galuppi. When Galuppi left for Italy in 1769, he took the boy with him. In Italy, Bortniansky gained considerable success composing operas: Creonte (1776) and Alcide (1778) in Venice, and Quinto Fabio (1779) at Modena. He also composed sacred works in Latin and German, both a cappella and with orchestral accompaniment (including an Ave Maria for two voices and orchestra).
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