Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In the carnatic classical music, Devagandhari is a janya raga (derived scale), whose melakarta raga (parent scale, also known as janaka) is Shankarabharanam, 29th in the 72 Melakarta raga system.
It is also there in the Sikh tradition of northern India and is part of the Guru Granth Sahib.
Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Devagandhari ragam is an owdava-vakra-sampurna raga meaning, in arohana 5 swaras come (so it is called owdava) and in avarohana all swaras come (so sampurna), and there is a "zigzag" pattern of notes (so vakra). The notes used in this ragam are shadjam, chatushruti rishabham, antara gandharam, shuddha madhyamam, panchamam, chatushruti dhaivatam and kakili nishadam. This ragam sometimes includes the kaishika nishadam (anya swara – a note external to the scale, making this a bhashanga ragam).
The closest raga to this one is Arabhi. Some of the things that makes Arabhi different (though both share the same ascending and descending scale, in terms of basic notation) are:
Here are some more compositions set to Devagandhari.
In the Sikh tradition from northern India it is part of the Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the sixth raga to appear in the series. The composition in this raga appear on a total of 10 pages from page numbers 527 to 537.