Dan Duryea
| Dan Duryea | |
|---|---|
Along Came Jones (1945) trailer
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| Born |
January 23, 1907 White Plains, New York, U.S. |
| Died | June 7, 1968 (aged 61) Los Angeles, California, U.S. |
| Cause of death | Cancer |
| Resting place | Forest Lawn Memorial Park Cemetery in Hollywood Hills, California |
| Occupation | Stage, film, television actor |
| Years active | 1933-1968 |
| Spouse(s) | Helen Bryan (married 1932–1967, her death) |
| Children |
Peter Duryea Richard Duryea (b. 1942) |
Dan Duryea (January 23, 1907 – June 7, 1968) was an American actor in film, stage and television. Known for portraying a vast range of character roles as a villain, he nonetheless had a long career in a wide variety of leading and secondary roles.
Born and raised in White Plains, New York, Duryea graduated from White Plains High School in 1924 and Cornell University in 1928. While at Cornell, Duryea was elected into the prestigious Sphinx Head Society, Cornell's oldest senior honor society. He majored in English with a strong interest in drama, and in his senior year succeeded Franchot Tone as president of the college drama society.
As his parents did not approve of his choice to pursue an acting career, Duryea became an advertising executive but after six stress-filled years, had a heart attack that sidelined him for a year.
Returning to his earlier love of acting and the stage, Duryea made his name on Broadway in the play Dead End, followed by The Little Foxes, in which he portrayed Leo Hubbard. In 1940, Duryea moved to Hollywood to appear in the film version of The Little Foxes. He continued to establish himself with supporting and secondary roles in films such as The Pride of the Yankees and None But the Lonely Heart. As the 1940s progressed, he found his niche as the "sniveling, deliberately taunting" antagonist in a number of film noir subjects (Scarlet Street, The Woman in the Window, Criss Cross, Too Late for Tears, Johnny Stool Pigeon) and westerns such as Along Came Jones and Black Bart, although he was sometimes cast in more sympathetic roles (Black Angel, One Way Street). In 1946, exhibitors voted him the eighth most promising "star of tomorrow".
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