Culture of Iraq

Iraq has one of the world's oldest cultural histories. Iraq is where the Ancient Mesopotamian civilizations were, whose legacy went on to influence and shape the civilizations of the Old World. Culturally, Iraq has a very rich heritage. The country is known for its poets and its painters and sculptors are among the best in the Arab world, some of them being world-class. Iraq is known for producing fine handicrafts, including rugs and carpets. The architecture of Iraq is seen in the sprawling metropolis of Baghdad, where the construction is mostly new, with some islands of exquisite old buildings and compounds, and elsewhere in thousands of ancient and modern sites across Iraq.

Unlike many Arab countries, Iraq embraces and celebrates the achievements of its past in pre-Islamic times. What is now Iraq was once the Cradle of Civilization in Ancient Mesopotamia and the culture of Sumer, where writing and the wheel were invented. In the 8th and 9th centuries, the Islamic Abbasid Caliph's presided over what was then one of the world's richest civilizations.

While Iraq's first film projection took place in 1909, cinema was not truly regarded as a cultural activity or pastime until the 1920s. The first cinemas, like the famous al-Zawra cinema on Baghdad's bustling thoroughfare al-Rashid, played mostly American silent films for British citizens.

In the 1940s under the rule of King Faisal II of Iraq, a real Iraqi cinema began. Supported by British and French financiers, movie production companies established themselves in Baghdad. The Baghdad Studio was established in 1948, but soon came apart when tensions between the Arab and Jewish founders flared up. For the most part, the product was purely commercial, fluffy romances with plenty of singing and dancing often set in small villages. The World of Arts (Dunyat Alfann) studio, which was founded by actors, reached for more serious fare. In 1955, they produced Haidar Al-Omar's Fitna wa Hassan, an Iraqi retelling of Romeo and Juliet, that received international attention. But for the most part, the strong-fist rule of the state discouraged any socially relevant films.

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