Colon Cemetery

el Cementerio de Cristóbal Colón

Main Gate (2007).
Details
Established	1876
Location	Vedado, Havana
Country	Cuba
Size	140 acres (57 ha)
No. of graves	800,000
No. of interments	over 1 million

The Colon Cemetery, or more fully in the Spanish language Cementerio de Cristóbal Colón, was founded in 1876 in the Vedado neighbourhood of Havana, Cuba on top of Espada Cemetery. Named for Christopher Columbus, the 140 acre (57 ha) cemetery is noted for its many elaborately sculpted memorials. It is estimated that today the cemetery has more than 500 major mausoleums, chapels, and family vaults.

Colon Cemetery is one of the great historical cemeteries of the world, and is generally held to be the most important in Latin America in historical and architectural terms, second only to La Recoleta in Buenos Aires. Prior to the opening of the Colon Cemetery, Havana's dead were laid to rest in the crypts of local church catacombs and then, beginning in 1806, at Havana's newly opened Espada Cemetery. When locals realized there would be a need for a larger space for their community’s dead (due to an 1868 cholera outbreak), planning then began for the Colon Cemetery.

It was built by the Galician architect Calixto Arellano de Loira y Cardoso, a graduate of Madrid’s Royal Academy of Arts of San Fernando, and who became Colón’s first occupant when he died before his work was completed. Yet for all its elegance and grandeur Colon Cemetery conceals as much as it displays. Empty tombs and desecrated family chapels disfigure the stately march of Cuban family memorials even in the most prominent of the avenues, and away from the central cross-streets, ruin. Many of these are the tombs of exiled families, whose problems with caring for their dead have been complicated by residence in new countries.

The first impact of Colon Cemetery is a seemingly endless succession of tombs blinding white in the midday heat, few shade trees and nowhere to sit. In front of the main entrance, at the axes of the principal avenues Avenida Cristobal Colón, Obispo Espada and Obispo Fray Jacinto, stands the Central Chapel apparently modelled on Il Duomo in Florence. On every side rectangular streets lead geometrically to the cemetery’s 56 hectares, designed by Loira to define the rank and social status of the dead with distinct areas, almost city suburbs: priests, soldiers, brotherhoods, the wealthy, the poor, infants, victims of epidemics, pagans and the condemned. The best preserved and grandest tombs stand on or near these central avenues and their axes.