Codex Laurentianus
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 Michelangelo, Laurentian Library, Smarthistory
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The Laurentian Library (Biblioteca Medicea Laurenziana) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze under the patronage of the Medici pope Clement VII, the Library was built to emphasize that the Medici were no longer merchants but members of intelligent and ecclesiastical society. It contains the manuscripts and books belonging to the private library of the Medici family. The library is renowned for its architecture, designed by Michelangelo, and is an example of Mannerism.
A Codex Laurentianus identifies any of the book-bound manuscripts in the library.
The Laurentian Library was commissioned in 1523 and construction began in 1525; however, when Michelangelo left Florence in 1534, only the walls of the reading room were complete. It was then continued by Tribolo, Basari, and Ammannati based on plans and verbal instructions from Michelangelo. The library opened by 1571. In this way, the library integrates parts executed by Michelangelo with others built much later in an interpretation of his instructions. The Laurentian Library is one of Michelangelo's most important architectural achievements. Even Michelangelo's contemporaries realized that the innovations and use of space in the Laurentian Library were revolutionary.
The admirable distribution of the windows, the construction of the ceiling, and the fine entrance of the Vestibule can never be sufficiently extolled. Boldness and grace are equally conspicuous in the work as a whole, and in every part; in the cornices, corbels, the niches for statues, the commodious staircase, and its fanciful division-in all the building, as a word, which is so unlike the common fashion of treatment, that every one stands amazed at the sight thereof. – Giorgio Vasari.
The two-story Quattrocento cloister remained unchanged by the addition of the library. Because of this, certain features of Michelangelo’s plan, such as length and width, were already determined. Therefore, new walls were built on pre-existing walls and cloisters. Because the walls were built on pre-existing walls, recessing the columns into the walls was a structural necessity. This led to a unique style and pattern that Michelangelo took advantage of.
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