First edition cover
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Author | Robert Graves |
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Cover artist | John Aldridge (1st ed.) |
Country | United Kingdom |
Language | English |
Genre | Historical novel |
Publisher | Arthur Barker (1st ed.) |
Publication date
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1934 |
Media type | Print (hardback & paperback) |
Pages | 468 pp (paperback ed.) |
ISBN | |
OCLC | 19811474 |
823/.912 20 | |
LC Class | PR6013.R35 I2 1989 |
Followed by | Claudius the God |
I, Claudius (1934) is a novel by English writer Robert Graves, written in the form of an autobiography of the Roman Emperor Claudius. Accordingly, it includes the history of the Julio-Claudian Dynasty and the Roman Empire, from Julius Caesar's assassination in 44 BC to Caligula's assassination in 41 AD.
The 'autobiography' of Claudius continues (from Claudius' accession after Caligula's death, to his own death in 54) in Claudius the God (1935). The sequel also includes a section written as a biography of Herod Agrippa, contemporary of Claudius and future King of the Jews. The two books were adapted by the BBC into an award-winning television serial, I, Claudius.
In 1998 the Modern Library ranked I, Claudius fourteenth on its list of the 100 best English-language novels of the 20th century. In 2005, the novel was chosen by Time as one of the one hundred best English-language novels from 1923 to present.
Claudius was the fourth Emperor of Rome (r. 41–54 AD). Historically, Claudius' family kept him out of public life until his sudden coronation at the age of forty nine. This was due to his being perceived as being a dolt due to his stammering, limp and other nervous tics. This made others see him as mentally deficient and also therefore not a threat to his ambitious relatives. Even as his symptoms begin to wane in his teenage years, he runs into trouble for his work as a budding historian. His work on a history of the civil wars was too truthful and too critical of the reigning emperor Augustus, and his mother and grandmother quickly put a stop to it. This episode reinforced their initial suspicions that Claudius was not fit for public office. This is how he was defined by scholars for most of history, and Graves uses these peculiarities to develop a sympathetic character whose survival in a murderous dynasty depends upon his family's incorrect assumption that he is a harmless idiot.