Christian metalcore
| Christian metal | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1970s, United States and Sweden |
| Typical instruments | |
| Fusion genres | |
| Unblack metal | |
| Regional scenes | |
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| Other topics | |
Christian metal, also known as white metal or heavenly metal, is a form of heavy metal music usually defined by its message using song lyrics as well as the dedication of the band members to Christianity. Christian metal is typically performed by professed Christians sometimes principally for Christians who listen to heavy metal music and often produced and distributed through various Christian networks.
Christian metal bands exist in most of the subgenres of heavy metal music, and the only common link among most Christian metal bands are the lyrics. The Christian themes are often melded with the subjects of the genre the band is rooted in, regularly providing a Christian take on the subject matter. It has been argued that the marginal yet transnational Christian metal subculture provides its core members an alternative religious expression and Christian identity, and that the music serves the purpose of offering a positive message through lyrical content. This may not necessarily show a direct connection or reference to the Christian faith but often it does.
Christian metal emerged in the late 1970s as a means of evangelization to the wider heavy metal music scene and was pioneered by the American Resurrection Band and Barnabas, the Swedish Jerusalem, and Canadian Daniel Band. Los Angeles' Stryper achieved wide success in the 1980s. In the mid to late 1980s, extreme metal genres were popularized by bands such as Vengeance Rising, Deliverance, Believer and Tourniquet. In the early 1990, the Australian death metal band Mortification rose to prominence within its country's underground metal scene. At the turn of the 21st century, the nu metal band P.O.D, with two platinum-selling albums, achieved a mainstream commercial success rivaling that of Stryper. The metalcore groups Underoath, Demon Hunter, As I Lay Dying and Norma Jean (dubbed by Revolver Magazine as "The Holy Alliance") also brought some mainstream attention to the movement in the first decade of the 2000s, achieving ranks in the Billboard 200.
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