Chapel Royal, Dublin

The Chapel Royal
An Seipeal Rioga
A view of the exterior of the Chapel Royal, Dublin Castle
Basic information
Location	Dublin, Ireland
Affiliation	Church of Ireland (1814-1943) Roman Catholic (1943-2014) None (2014-present)
Province	Leinster
Year consecrated	1814
Status	Museum
Architectural description
Architect(s)	Francis Johnston
Architectural style	Gothic revival

The Chapel Royal in Dublin Castle was the official Church of Ireland chapel of the Household of the Lord Lieutenant of Ireland from 1814 until the creation of the Irish Free State in 1922. The creation of the new Irish state terminated the office of Lord Lieutenant and British government control in Ireland.

Designed by Francis Johnston (1760–1829), the foremost architect working in Ireland in the early 19th century, and architect to the Board of Works, the chapel contains one of the finest Gothic revival interiors in Ireland. Replacing an earlier undistinguished 18th century church that suffered structural problems through being built on soft ground close to the site of the original castle moat, the new Chapel Royal was built using a timber frame to make it as light as possible. Indeed, so difficult was the nature of the site that the chapel took seven years to build, though a contributory factor in both time and budget was the "sheer opulence" of its interior.

The foundation stone was laid by the Lord-Lieutenant, John Russell, 6th Duke of Bedford, on 15 February 1807. It was completed behind schedule (the budget also substantially overran) and opened on Christmas Day, 1814, when Charles Whitworth, 1st Earl Whitworth was Lord-Lieutenant. Lord Whitworth contributed the centre portion of the large stained-glass window above the altar, which he had purchased while in Paris, and which reputedly had come from Russia (he had been plenipotentiary in St. Petersburg in the 1790s). The surroundings are painted glass, executed by a Mr. Bradley in Dublin. At the apex of the window are the arms of Lord Whitworth.

The decoration of the ceiling of the interior was done by George Stapleton (son of Michael Stapleton), a leading stuccodore of the time, while sculptor Edward Smyth (responsible for the "river heads" on the Custom House) and his son John (responsible for the statues on the GPO) carved the larger figures. Over the chancel window are three life-size figures representing Faith, Hope and Charity. Over the galleries are heads representing Piety and Devotion. All the interior vaulting and columns are cast in timber and feature a paint wash (faux pierre) to give the effect of stone. It was described as having "the most flamboyant and luxurious Dublin interior of its era."