Castor and Pollux (sculpture)

Castor and Pollux (San Ildefonso Group)
Year	1st century AD
Type	White marble
Dimensions	161 cm (63 in)
Location	Museo del Prado, Madrid

The Castor and Pollux group (also known as the San Ildefonso Group, after San Ildefonso in Segovia, Spain, the location of the palace of La Granja at which it was kept until 1839) is an ancient Roman sculptural group of the 1st century AD, now in the Museo del Prado, Madrid.

Drawing on 5th- and 4th-century BC Greek sculptures in the Praxitelean tradition, such as the Apollo Sauroctonos and the "Westmacott Ephebe", and without copying any single known Greek sculpture, it shows two idealised nude youths, both wearing laurel wreaths. The young men lean against each other, and to their left on an altar is a small female figure, usually interpreted as a statue of a female divinity. She holds a sphere, variously interpreted as an egg or pomegranate. The group is 161 cm high and is now accepted as portraying Castor and Pollux.

The lefthand figure was originally headless but was restored in the 17th century, the heyday of interpretive restorations, by Ippolito Buzzi, when the sculpture was in the collection of Cardinal Ludovico Ludovisi, using a Hadrianic-era (ca. 130) bust of Antinous of the Apollo-Antinous type from another statue. The identification of the figures inspired many choices of male pairs during the 17th and 18th centuries. During the 19th century, it became known as "Antinous and Hadrian's genius", to get over the problem of their both being youths, whereas ahistorically it was an important feature of Antinous' relationship with Hadrian that Antinous was a youthful eromenos and Hadrian an elder erastes. Alternatively "Antinous and a sacrificial daemon" was suggested, in reference to the myth that Antinous had killed himself as a sacrifice to lengthen Hadrian's life), or simply as Antinous and Hadrian pledging their fidelity to one another.

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