Carlos Reygadas Castillo

Carlos Reygadas
Reygadas at the Tokyo International Filmfest in 2009
Born	(1971-10-10) October 10, 1971 (age 45) Mexico City, Mexico
Occupation	Film director, producer and screenwriter
Years active	1997 - present

Carlos Reygadas Castillo (Spanish pronunciation: [ˈkarlos reiˈɣaðas]; born October 10, 1971) is a Mexican filmmaker. Influenced by existentialist art and philosophy, Reygadas' movies feature spiritual journeys into the inner worlds of his main characters, through which themes of love, suffering, death, and life's meaning are explored.

Reygadas has been described as "the one-man third wave of Mexican cinema"; his works are generally considered art films, and are known for their expressionistic cinematography, long takes, and emotionally charged stories. His first and third films, Japón (2002) and Silent Light (2007), made him one of Latin America's most prominent writer-directors, with various critics having named Silent Light as one of the best films of its decade. His films Battle in Heaven (2005) and Post Tenebras Lux (2012) divided critics.

Reygadas first became fascinated with cinema in 1987, upon watching the works of the acclaimed Soviet/Russian filmmaker Andrei Tarkovsky, who had died the previous year. In 1997, he entered a film competition in Belgium with his first short film, Maxhumain.

Two years after the release of Maxhumain, Reygadas began writing his first feature-length movie. Shooting for the film, named Japón, began in 2001. When finished, the film was presented at the Rotterdam Film Festival and received a special mention for the Caméra d'Or award at the 2002 Cannes Film Festival, as well as the Coral Award of the Havana Film Festival. Many critics argued that Japón (2002) revolutionized Mexican cinema by defying the conventions of dramatic structure and inventing a new cinematographic language that reflects the sensory world humans inhabit while expressing life as an transcendental experience. The film's title questions a simplistic correlation between signifier and signified, for although it is named after Japan, the island country itself is never portrayed, or even mentioned, in any way throughout; the story is set in a remote and impoverished Hidalgo town.