Brothers Keepers is a German-based transnational anti-racism project, bringing together hip hop, reggae and soul musicians, headed primarily by Afro-Germans.
The idea for the project took root when a German of Mozambiquan origin, named Alberto Adriano, was brutally killed by neo-Nazis in Dessau (East Germany) in 2000. A group of musicians decided to organize and fight back.
The following quote is about Adriano's death and its effect.
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Brothers Keepers has local groups active in information campaigns, presenting teach-ins at schools etc. However the project primarily gained prominence in Germany through the collaborative album, Lightkultur. The title is a pun on conservative politician Günther Beckstein’s term "deutsche Leitkultur" ("German leading culture"), demanding that foreigners subject themselves to the supposed standards of German culture. The album features German musicians such as Torch, Samy Deluxe, Afrob, Denyo from the Beginner and D-Flame. The proceeds of this album went to charity.
Brothers Keepers presented themselves and delivered their message in traditionally masculine ways. Their presentation was heavily influenced by the Black masculinity of mainstream American Hip-Hop, but maintained a distinctly Afro-German identity and spoke to Afro-German issues. Especially in lyrics and videos that were explicitly against Nazism and anti-Blackness in Germany, they formed a confrontational masculine collectivity. This was reaffirmed by their exclusion of women from their music and videos, an absence which they claimed was due to female performers being pregnant or on maternity leave. Some of the female performers in question, Sisters Keepers, contrasted with that masculinity with a rhetoric of peace and coalition-building rather than direct confrontation. In fact, in the music video for Sisters Keepers's "Liebe und Verstand," members of Brothers Keepers make visual and auditory cameos, giving the song a gendered authenticity. Although Brothers Keepers sought to reaffirm Afro-German identity with a masculinist perspective, it is important to note that the formation of the Afro-German identity was done largely by Afro-German women.