Brasses

Monumental brass is a species of engraved sepulchral memorial which in the early part of the 13th century began to partially take the place of three-dimensional monuments and effigies carved in stone or wood. Made of hard latten or sheet brass, let into the pavement, and thus forming no obstruction in the space required for the services of the church, they speedily came into general use, and continued to be a favourite style of sepulchral memorial for three centuries.

Besides their great value as historical monuments, monumental brasses are interesting as authentic contemporary evidence of the varieties of armour and costume, or the peculiarities of palaeography and heraldic designs, and they are often the only authoritative records of the intricate details of family history. Although the intrinsic value of the metal has unfortunately contributed to the wholesale spoliation of these interesting monuments, they are still found in remarkable profusion in England, and they were at one time equally common in France, Germany and the Low Countries. In France, however, those that survived the troubles of the 16th century were totally swept away during the Reign of Terror, and almost the only evidence of their existence is now supplied by the collection of drawings bequeathed by Gough to the Bodleian Library.

Only two or three examples, and these of late date, are known in Scotland, among which are the memorials of Alexander Cockburn (1564) at Ormiston; of the regent Murray (1569) in the collegiate church of St Giles, Edinburgh; and of the Minto family (1605) in the south aisle of the nave of Glasgow Cathedral. The Earl of Moray had been assassinated, and his monumental brass carries the Moray arms and figures representing Religion and Justice.

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Wikipedia