Brass Tactics
| Love This Giant |
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Studio album by David Byrne and St. Vincent
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| Released |
September 10, 2012 (2012-09-10)
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| Recorded |
Late 2009 through 2012 |
| Studio |
Water Music Studio, Hoboken, New Jersey, United States (brass) and Patrick Dillett's Studio, New York City, New York, United States (additional instrumentation) |
| Genre |
Art pop |
| Length |
44:33 |
| Language |
English |
| Label |
4AD, Todo Mundo
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| Producer |
David Byrne, Annie Clark, John Congleton, and Patrick Dillett
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| David Byrne chronology |
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| St. Vincent chronology |
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Singles from Love This Giant
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- "Who"
Released: June 14, 2012 (promo)
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Love This Giant is a studio album made in collaboration between David Byrne and St. Vincent, released on 4AD and Todo Mundo on September 10, 2012, in the United Kingdom and a day later in the United States. Byrne and Annie Clark began working together in late 2009, using a writing and promotion process that Byrne had previously used on his 2008 collaboration with Brian Eno Everything That Happens Will Happen Today. The duo had previously played together live at a St. Vincent show and on the album Here Lies Love. The performers enlisted a variety of brass musicians to augment their songwriting and toured over the following year to promote the album.
The two artists met in 2009 at a Radio City Music Hall benefit concert for the AIDS/HIV charity Dark Was the Night. However, the collaboration stemmed from a second meeting, at New York thrift shop Housing Works, where Björk and Dirty Projectors were performing. A concert organizer suggested Byrne and Clark try a similar collaboration. Their work was initially slated just for a single live performance, but Clark suggested adding brass to their line-up and the two realized they could write original music around horns.
"I suggested brass as a prominent voice because, at the time David and I decided to write songs together, I had just done the Actor record with a lot of woodwind and a lot of Strings on it. So I hadn't explored brass and I wanted to. Originally, we were going to do a night of music at a bookstore for charity. So I was thinking, Okay, it could be a small ensemble: just me and David and a couple of guitars and we'll call it a day. But then obviously it grew and grew and grew. Brass was a way to bridge what we do in some sort of neutral, middle ground. When we toured the album, just the sheer number of people onstage was exciting and overwhelming, and these people organised the stage movement in really fun and idiosyncratic ways and it made for such a lighthearted, beguiling show." – Annie Clark
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Wikipedia
