Blues Funeral | ||||
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Studio album by Mark Lanegan | ||||
Released | February 6, 2012 | |||
Recorded | January—May 2011 at 11AD Studio in Hollywood, California | |||
Genre | Alternative rock, blues rock | |||
Length | 55:27 | |||
Language | English | |||
Label | 4AD | |||
Producer | Alain Johannes | |||
Mark Lanegan chronology | ||||
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Singles from Blues Funeral | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | (77/100) |
Review scores | |
Source | Rating |
Allmusic | |
The A.V. Club | C− |
BBC | (Positive) |
Drowned in Sound | (6/10) |
The Guardian | |
The Independent | |
MOJO | |
musicOMH | |
Pitchfork Media | (5.9/10) |
Stereogum | (Very positive) |
Blues Funeral is the seventh studio album by American alternative rock musician Mark Lanegan, released on February 6, 2012 on 4AD. The album was recorded with producer Alain Johannes throughout early 2011 and Johannes, as well as other musicians including Greg Dulli, David Catching and Jack Irons, contributed to the recording process.Blues Funeral was announced for release on November 7, 2011 through Lanegan's official website and less than a month later, the album's lead single, "The Gravedigger's Song," was released as a digital download on iTunes.
Aside from collaborative albums with Isobel Campbell, and other collaboration projects including Soulsavers and The Gutter Twins, Blues Funeral is Mark Lanegan's first new material in eight years, since Bubblegum (2004) Upon its release, Blues Funeral received widespread critical acclaim and charted in six countries within the week of its release, including Belgium, the Netherlands, Sweden, New Zealand and the United Kingdom.
Following extensive collaborations with Isobel Campbell, former vocalist and celloist of indie pop band Belle & Sebastian, Lanegan began working on Blues Funeral after the tour in promotion of their third collaborative studio album, Hawk (2010). The tour concluded on October 29, 2010 in Los Angeles, California and Lanegan subsequently began composing songs. In an interview with MOJO, Lanegan described his writing process for the album, saying that: "[all of the songs on the new record] were written right before or during the period when we recorded" and "generally I write on the guitar, but this one I started a few with the keyboard and a drum machine, to do something different. With Al [Johannes], I can show him something on acoustic guitar and give him a description and within a couple of hours it's done."