Bless the Wings (That Bring You Back)
| Keys of the Kingdom | ||||
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| Studio album by The Moody Blues | ||||
| Released | 25 June 1991 (US) 1 July 1991 (UK) |
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| Recorded | October 1990 – May 1991 at Olympic Studios, Mayfair Studios, The Hit Factory and RG Jones Studios, London | |||
| Genre | Rock | |||
| Length | 53:02 | |||
| Label | Polydor Records | |||
| Producer |
Christopher Neil Alan Tarney Tony Visconti |
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| The Moody Blues chronology | ||||
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| Singles from Keys of the Kingdom | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
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| Entertainment Weekly | C− |
Keys of the Kingdom is the fourteenth album by the rock band The Moody Blues, released in 1991. Although some of the tracks recall the songwriting on Sur la Mer, the failure of Keys of the Kingdom to produce any major hit singles would mark the beginning of the Moodies' decline in popularity with mainstream audiences after their success in the MTV video generation. The album saw the band beginning to return to a more airy rock orientated sound (similar to The Present), rather than the previous two albums' forays into synthesiser pop. Flautist Ray Thomas plays more of a substantial role on this record, with his first ambient flute piece in eight years. The album was recorded and mixed at four London studios: Olympic Studios, RG Jones Studios, Mayfair Studios and The Hit Factory (not to be confused with the NYC-based studio of the same name). Drum machines are still used heavily; Graeme Edge only performs on three songs, with session drummer Andy Duncan providing live drums on two more, and the rest being programmed. Keyboardist Patrick Moraz was fired from the band after completing only a few tracks for this album, and he is listed as an 'additional' keyboard player. After a lawsuit on Court TV filed by Moraz, their future album and re-release booklets would distance themselves from Moraz - e.g. removing him from photographs that originally featured him - and they never had any future keyboardists become official members of the band.
This was the last Moody Blues album before their extravagant concert at Red Rocks and a series of symphonic tours with orchestras.
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Wikipedia