Alan Tarney
| Alan Tarney | |
|---|---|
| Born | 19 November 1945 |
| Origin | Workington, Cumberland, England |
| Genres | Pop, rock |
| Occupation(s) | Songwriter, record producer, musician |
| Instruments | Bass guitar, keyboards, guitar |
| Years active | 1969–present |
| Labels | A&M Records, Bradley's Records |
| Associated acts | James Taylor Move, The Shadows, Tarney/Spencer Band, Cliff Richard, a-ha |
Alan Tarney (born 19 November 1945) is an English songwriter, record producer and bass guitarist. He was born in Northside, Workington, Cumberland, England, but spent his teenage years in Adelaide, Australia, where he met his songwriting and musical partner Trevor Spencer.
Tarney was part of the influx of British migrants who settled in Adelaide during the height of the 1960s pop music boom. His first major group in Australia was James Taylor Move, a four-piece outfit regarded as one of Australia's first psychedelic rock bands; the original line-up in 1967 comprised Tarney on bass, his longtime collaborator Trevor Spencer on drums, Kevin Peek on lead guitar and Robert (R.J.) Taylor on vocals. Both The James Taylor Move and their rising-star contemporaries The Twilights were formed by various members of two earlier Adelaide bands, Johnny Broome and the Handels, and The Hurricanes.
James Taylor Move's (JTM) early concerts were in support of The Twilights, who soon moved to Melbourne. JTM built up a solid following in Adelaide and in early 1967 they won the South Australian final of the Hoadley's Battle of the Sounds. They headed to Melbourne in July for the national finals, and although they were defeated by The Groop they decided to remain there.
Securing a deal with Festival Records they released their debut single "And I Hear The Fire Sing" / "Magic Eyes" in August 1967. The A-side was apparently considered too radical for local radio, but the B-side was picked up, received plenty of airplay in the southern states and became a Top 40 hit in Melbourne. In October, Festival released their second and final single, "Baby Jane", backed by the raga-influenced "Still I Can Go On".
Peek left the band in May 1968, and was replaced by two new members, John Pugh and organist Lance Dixon. Lead singer Robert Taylor left the following month, and he was replaced by the 18-year-old blues/soul singer Wendy Saddington. This second line-up lasted only a few more months and made no commercial recordings before their split at the end of 1968.
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