Beautiful Midnight | ||||
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Studio album by Matthew Good Band | ||||
Released | September 14, 1999 | |||
Recorded | February - April 1999; Greenhouse Studios, Burnaby, British Columbia, Canada | |||
Genre | Alternative rock | |||
Length | 65:15 | |||
Label |
Universal (Canada) Atlantic Records (US) |
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Producer | Warne Livesey | |||
Matthew Good Band chronology | ||||
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Singles from Beautiful Midnight | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Sputnikmusic | |
Punknews.org |
Beautiful Midnight is the third album released by the Matthew Good Band. It is the band's most commercially successful album. The album won the award for "Best Rock Album" at the 2000 Juno Awards.
The album produced four successful singles and music videos, "Hello Time Bomb", "Load Me Up", "Strange Days", and "The Future is X-Rated". The success of Beautiful Midnight propelled Good to a celebrity status in Canada he eventually grew to loathe, and his interactions with the media throughout the promotional cycle for the record were often strained and unpleasant.
The album did not achieve the kind of success in America as it did in Canada due to Good intentionally sabotaging the band's career stateside by refusing to play along with the media and music industry in the country.
In a 2016 interview with The Canadian Press, Good recounted one interview with Seventeen magazine at its Manhattan office where two female writers ("...who looked like the Stepford Wives") asked the singer to recall his first kiss. Annoyed by the question, he recounted a story where as a teenager where he engaged in a drunken session that became sexual. The writers, Good says, were so taken back by his explicit story that they walked out of the interview.
Around the time of Beautiful Midnight's release, Good was diagnosed with sarcoidosis, a disease that can lead to lung lesions and eye inflammation. He required throat surgery in early 2000.
The band was also reluctant to commit extensively touring the United States.
The album was re-released in 2001 in the United States on Atlantic Records with an altered track listing with remixed songs from Underdogs. Good has referred to it as something of a greatest hits.
A number of songs considered for inclusion on Beautiful Midnight were relegated to b-side or unreleased status. "Flashdance II" was eventually released on Loser Anthems, while "Pony Boy", which was recorded for the subsequent album The Audio of Being, remained unreleased until In a Coma in 2005.