Fantasy Black Channel | ||
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Studio album by Late of the Pier | ||
Released | 30 July 2008 | |
Recorded | 2006−2008 at various locations | |
Genre | Dance-punk, electroclash, glam punk | |
Length | 42:47 | |
Label | Parlophone | |
Producer | Erol Alkan, Sam Eastgate | |
Singles from Fantasy Black Channel | ||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 81/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 4/5 |
Blender | |
The Guardian | |
The Irish Times | |
NME | |
Pitcthfork | 6.7/10 |
PopMatters | 8/10 |
Spin | |
Uncut |
Fantasy Black Channel is the debut and only studio album by British dance-punk band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States.
The album was recorded in frontman Sam Eastgate's bedroom in Castle Donington, England, and at several locations in London. It went through a fractured creative process that lasted for more than two years. It was eventually produced by Eastgate and DJ Erol Alkan between 2007 and 2008. Fantasy Black Channel does not contain a unifying musical or lyrical theme; rather, it is a collage of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best British albums of 2008 because of its eclecticism and spirit of invention. Late of the Pier did not record any further albums following the death of drummer Ross Dawson in 2015.
Having officially formed a band under the name Late of the Pier in 2004, childhood friends Sam Eastgate, Andrew Faley, Sam Potter, and the late Ross Dawson initially developed the sound of their first album by listening to the alternative dance music of British ensemble The Prodigy and the grunge music of American band Nirvana. They soon branched out into listening to diverse genres from the last 40 years of music, including Motown and soul. Potter has treated their conception of Fantasy Black Channel as a reaction to "mediocre, complacent indie-schmindie bands who find a sound and stick to it; whose songs sound exactly the same", while lead writer and composer Eastgate has pointed out that they wanted to "take people past their own limits". The nascent recording stages took place in Eastgate's bedroom, where unconventional time signatures and experimental chords were performed because, at the time, no band member could play an instrument properly.