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Association for the Advancement of Creative Musicians

Association for the Advancement of Creative Musicians
Abbreviation AACM
Predecessor Experimental Band
Formation May 1965 (1965-05)
Founder Muhal Richard Abrams, Jodie Christian, Steve McCall, Phil Cohran
Type Non-profit organization
Purpose Support and encourage jazz performers, composers and educators
Location
  • Chicago, Illinois
Region
USA
Official language
English
Key people
Henry Threadgill, Anthony Braxton, Jack DeJohnette
Main organ
A Power Stronger Than Itself: The Association for the Advancement of Creative Musicians
Affiliations Black Artists' Group
Endowment MacArthur Foundation
Mission "to nurturing, performing, and recording serious, original music"
Website http://aacmchicago.org/

The Association for the Advancement of Creative Musicians (AACM) is a non-profit organization, founded in Chicago, Illinois, United States, by pianist/composer Muhal Richard Abrams, pianist Jodie Christian, drummer Steve McCall, and composer Phil Cohran. Early members included Henry Threadgill, Anthony Braxton, Jack DeJohnette, Wadada Leo Smith, Leroy Jenkins, Amina Claudine Myers, Adegoke Steve Colson, Chico Freeman, George Lewis and the Art Ensemble of Chicago: Lester Bowie, Roscoe Mitchell, Joseph Jarman, Famoudou Don Moye, and Malachi Favors. The AACM is devoted "to nurturing, performing, and recording serious, original music," according to its charter. It supports and encourages jazz performers, composers and educators. While founded in the Jazz tradition, the groups outreach and influence has, according to Larry Blumenfeld, "touched nearly all corners of modern music."

By the 1960s jazz music was losing ground to rock music and the founders of the AACM felt that a proactive group of musicians would add creativity and outlet for new music. The AACM was formed in May 1965 by a group of musicians centered on pianist Muhal Richard Abrams who had organized an Experimental Band since 1962. The musicians were generally steadfast in their commitment to their music, despite a lack of performance venues and sometimes indifferent audiences. From 1969 the AACM organised a music education program for inner-city youths. In the 1960s and 1970s AACM members were among the most important and innovative in all of jazz, though the AACM's contemporary influence has waned some in recent years. Many AACM members have recorded widely: in the early days on the Delmark Records Avant Garde Jazz series and later on the Black Saint/Soul Note and India Navigation labels, and to a lesser extent on the Arista Records and ECM labels.


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