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Arnold Zweig

Arnold Zweig
Stamps of Germany (DDR) 1987, MiNr 3092.jpg
East German Stamp (1987) depicting Arnold Zweig
Born Arnold Zweig
10 November 1887
Glogau
Died 26 November 1968 (1968-11-27) (aged 81)
Nationality German
Occupation writer
Spouse(s) Beatrice
Signature
Arnold Zweig-signature-20150608-vector.svg

Arnold Zweig (10 November 1887 – 26 November 1968) was a German writer and anti-war and antifascist activist. He is best known for his six-part cycle on World War I.

Zweig was born in Glogau, Prussian Silesia (today Głogów, Poland), the son of a Jewish saddler. (He is not related to Stefan Zweig.) After attending a gymnasium in Kattowitz (Katowice), he made extensive studies in history, philosophy and literature at several universities – Breslau (Wrocław), Munich, Berlin, Göttingen, and Tübingen. He was especially influenced by Friedrich Nietzsche's philosophy. His first literary works, Novellen um Claudia (1913) and Ritualmord in Ungarn, gained him wider recognition.

Zweig volunteered for the German army in World War I and saw action as a private in France, Hungary and Serbia. He was stationed in the Western Front at the time when Judenzählung (the Jewish census) was administered in the German army. Shaken by the experience, he wrote in his letter dated February 15, 1917 to Martin Buber: "The Judenzählung was a reflection of unheard sadness for Germany's sin and our agony. ... If there was no antisemitism in the army, the unbearable call to duty would be almost easy." He began to revise his views on the war and to realize that it pitted Jews against Jews. Later he described his experiences in the short story Judenzählung vor Verdun. The war changed Zweig from a Prussian patriot to an eager pacifist.

By the end of the war he was assigned to the Press department of the German Army Headquarters in Kaunas and there he was first introduced to the East European Jewish organizations.

In a quite literal effort to put a face to the hated 'Ostjude' (Eastern European Jew), due to their Orthodox, economically depressed, "unenlightened", "un-German" ways, Zweig published with the artist Hermann Struck Das ostjüdische Antlitz (The Face of East European Jewry) in 1920. This was a blatant effort to at least gain sympathy among German-speaking Jews for the plight of their eastern European brethren. With the help of many simple sketches of faces, Zweig supplied interpretations and meaning behind them.


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