Antoon van Dyck
| Anthony van Dyck | |
|---|---|
Self-Portrait With a Sunflower (after 1633)
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| Born |
Antoon van Dyck 22 March 1599 Antwerp, Spanish Netherlands (modern-day Belgium) |
| Died | 9 December 1641 (aged 42) London |
| Nationality | Flemish |
| Education |
Hendrick van Balen, Peter Paul Rubens |
| Known for | Painting |
| Movement | Baroque |
Sir Anthony van Dyck (Dutch pronunciation: [vɑn ˈdɛi̯k], many variant spellings; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him.
Antoon van Dyck (his Flemish name) was born to prosperous parents in Antwerp. His talent was evident very early, and he was studying painting with Hendrick van Balen by 1609, and became an independent painter around 1615, setting up a workshop with his even younger friend Jan Brueghel the Younger. By the age of fifteen he was already a highly accomplished artist, as his Self-portrait, 1613–14, shows. He was admitted to the Antwerp painters' Guild of Saint Luke as a free master by February 1618. Within a few years he was to be the chief assistant to the dominant master of Antwerp, and the whole of Northern Europe, Peter Paul Rubens, who made much use of sub-contracted artists as well as his own large workshop. His influence on the young artist was immense; Rubens referred to the nineteen-year-old van Dyck as "the best of my pupils".
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