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Court painter


A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, though arrangements were highly variable. For the artist, a court appointment had the advantage of freeing them from the restriction of local painters' guilds, although in the Middle Ages and Renaissance they also often had to spend large amounts of time doing decorative work about the palace, and creating temporary works for court entertainments and displays. In England the role of Serjeant Painter was set up for this, leaving the "King's painter" (and the queen's) free to paint mostly portraits. See category of Italian art collectors for lists that included non-aristocratic patrons. Some artists, like Jan van Eyck or Diego Velázquez, were used in other capacities at court, as diplomats, functionaries, or administrators.

In Islamic cultures, especially between the 14th and 17th centuries, similar arrangements operated for miniaturists and artists in other media. In the Persian miniature, the shah and other rulers typically maintained a "court workshop" or "atelier", of calligraphers, miniaturists, binders and other crafts, usually managed by the royal librarian. More than in the West, the courts were the essential patrons of large-scale commissions, and political changes, or changes in personal tastes, could have a significant effect on the development of a style. The name by which Riza Abbasi is usually known includes the honorific title "Abbasi", which he and others were given by Shah Abbas I of Persia to associate them with their patron. Abd as-Samad, a Persian painter who moved to the Mughal Empire, was given a number of significant administrative jobs, as indeed was his artist son. The court remained the focus of patronage of painting in the "sub-Mughal" princely courts of India, whether Muslim or Hindu.


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