Alan Reeves (musician)
| Philip Brigham | |
|---|---|
 |
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| Background information | |
| Born |
24 January 1952 Brantford, Ontario, Canada |
| Genres | rock, blues |
| Years active | 1970s—present |
Philip (Phil) Brigham is a Canadian rock singer, composer and guitarist.
Brigham became interested in music from a very early age. He played the saxophone in the school band from 4th to 9th grades, His first major influences were seeing Ricky Nelson on "The Adventures of Ozzie And Harriet" and The Beatles first appearance on The Ed Sullivan Show in February 1964. He didn't start playing guitar until autumn of 1966. He took lessons, and watched how other people played, whether live or on TV, and he listened to a lot of different music.
At the end of his junior year in high school, Brigham moved with his family to Paris,, and from 1969 to 1970 attended The American School of Paris. It was in Paris that Brigham met Phil Steele, then known as Phil Trainer. He was a 22- or 23-year-old bass player and vocalist, and he "raided" Philip's high school rock band, taking Phil on guitar, Gerry Murphy on drums, and flute player Chris Hayward. Steele had previously played in Japan and Italy and knew British keyboard player Alan Reeves, then 25 or 26, because Reeves had played in a band called Clinic in both countries, and Phil Steele did some Clinic gigs in Italy. They put together a five-piece band, and because they were British-American, and had some music industry connections, they immediately got signed to a production company, and subsequently were signed to EMI in France.
After signing with EMI France, Reeves' fashion model wife, Albane Navizet, took a bit part in a French film by director Georges Lautner called Road to Salina. Lautner already had French pop singer Christophe on board for a few songs, and some orchestral stuff, but wanted some rock music for his film. He originally wanted Pink Floyd, then popular in Europe though virtually unknown in the U.S., but they were not available, so Clinic got a demo tape together and Albane gave it to Georges Lautner. He liked what he heard. By mostly luck, Clinic were in the right place at the right time, and got the nod to work on the soundtrack. Since the songs were being written individually by Steele, Reeves, or Brigham, or in some combination, they decided to say that all songs were Brigham-Reeves-Steele, to avoid arguments over which songs got shown to the film people.
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