Ahmed Fakroun أحمد فكرون |
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Born | 1953 | (age 64)
Origin | Benghazi, Libya |
Genres | Libyan, Arabic, raï |
Occupation(s) | Singer-songwriter |
Website | www.ahmedfakroun.com |
Ahmed Fakroun (Arabic: أحمد فكرون; born 1953) is a singer and songwriter from Benghazi, Libya. He is a pioneer of modern Arabic World Music.
John Storm Roberts, of Original Music, AllMusic, wrote that among raï singers, the pop-oriented Ahmed Fakroun stands out on two grounds. First, he is influenced by Europop and French art rock, not just the generalized rock of the others. Second, he's a multi-instrumentalist in both traditions as well as a singer. He plays bouzouki-like saz, mandol and darbouka drum, as well as guitar, bass guitar and keyboards. Sometimes he seems overly crossover-oriented: but on form, his crossover deepens into telling biculturalism.
Fakroun has collaborated with international producers including Tommy Vance, Papathanassiou Vangelis, Nicholas Nicorelli, Riccardo Sinigaglia, Group classical rock Enid, Jean Ferre, Jean-Baptiste Mondino and Mark Harris.
It was an early childhood fascination with rhythmic harmony which led to his choice, as first instrument, of the Fender Precision Electric Bass. This was soon flanked by harmonica, guitar and piano, as well as traditional stringed instruments such as the ud, the mandola and the saz.
From the very beginning, he listened intently to music from every corner of the planet - from the Libyan desert and the temples of India to the Scottish highlands, streets of Paris, London and New York - absorbing a rich variety of influences that would lead to his unique, personal style... His first band, formed in 1970 in Benghazi, played extensively at local school dances and events. Then, in England for five years of upper school, he made his first studio recordings with Tommy Vance, a producer for Radio Capital and the BBC. Joined by three English musicians, Ahmed started performing widely throughout England. Ahmed continued his pursuit of musical and cultural understanding and harmonizing of the world’s heritages, returning to his homeland with the hit single - "Awedny (Promise me) " and "Nojoum Al Layl (Night Stars) " - that launched him to instant stardom in the Arab world. He was soon back in Europe, signing contracts with Italy’s Ricordi label, the Polydor/Phonogram label (for whom he recorded his second single) and the Venezuela branch of the Columbia label. A major break was the single "Soleil Soleil" - recorded with the Bain Douche Paris dic label