Agung
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| Percussion instrument | |
|---|---|
| Classification | Idiophone |
| Hornbostel–Sachs classification | 111.241.2 (Sets of gongs) |
| Developed | Philippines |
| Related instruments | |
| gong ageng, tetawak, goong ageung, mamabla, pong | |
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
The agung is a large, heavy, wide-rimmed gong shaped like a kettle gong. of the agung produces a bass sound in the kulintang orchestra and weighs between 13 and 16 pounds, but it is possible to find agungs weigh as low as 5 pounds or as high as 20 or 30 pounds each, depending on the metal (bronze, brass or iron) used to produce them.
Though their diameters are smaller than the gandingan’s, at roughly 22 inches (560 mm) to 24 inches (610 mm) in length, they have a much deeper turned-in takilidan (rim) than the latter, with a width of 12 to 13 inches (330 mm) including the knob.
They are hung vertically above the floor at or a bit below the waist line, suspended by ropes fastened to structures like strong tree limb, beam of a house, ceiling, or gong stand.
The larger, lower pitched gong of the two is called the pangandungan by the Maguindanao and the p'nanggisa-an by the Maranao. Played on the musician's right, it provides the main part, which it predominantly played on the accents of the rhythmic structure.
The smaller, higher pitched gong, the thicker of the two, is called the panentekan by the Maguindanao and the p'malsan or pumalsan by the Maranao. Found on the player’s left, it is mainly played on the weaker double and triple beats of the rhythmic structure, in counterpoint to the pangandungan's part.
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