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Ada Forrest

Ada Cherry Kearton
A black-and-white bust portrait (c. 1910) of Ada Forrest in profile. She wears a gown, and she is wearing her brown hair up. Her autograph is on the lower-right corner of the photo, written in a very clear, round hand.
Autographed portrait of Kearton, c. 1910
Born Ada Forrest
(1877-07-17)17 July 1877
Congella, Natal, South Africa
Died 19 January 1966(1966-01-19) (aged 88)
London, UK
Education Royal Academy of Music
Occupation Oratorio and concert singer
Spouse(s) (i) Allen Hawes (ii)Cherry Kearton

Ada Cherry Kearton (born Ada Forrest; 17 July 1877 – 19 January 1966) was a South African classical soprano who sang in concert and oratorio. She made her London debut in 1907 and retired from the stage shortly before her marriage in 1922 to the English wildlife photographer Cherry Kearton. Her 1956 autobiography On Safari recounts their travels together in Africa, Australia and New Zealand.

Kearton was born in Congella, a settlement near Durban in the KwaZulu-Natal province of South Africa. She received her first instruction in singing at her convent school in Durban and made her first public appearance at the South African Eisteddfod in Durban when she was 14. She went on to study at the Royal Academy of Music in London and subsequently studied under Charles Santley, Pietro Neri-Baraldi, and Henry Wood. A soprano, she made her London debut on 24 May 1907, at the Empire Day Concert in Queen's Hall. England was to become her home, although she returned to South Africa several times to perform, including a concert tour in 1909.

She appeared numerous times in the Henry Wood Promenade Concerts between 1909 and 1915. During the course of her career she appeared in many other concerts and recitals in England and Scotland, including a solo recital at London's Wigmore Hall in November 1918, where she sang 17th-century songs by William Lawes and Thomas Morley and modern settings of Tennyson's poems. The Wigmore performance did not impress Ezra Pound who wrote a scathing review for The New Age: "As Morley and Lawes scarcely preserved a trace of their beauties in the path of her assault, I fled before she began singing modern settings of Tennyson."


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