La leggenda di Sakùntala (titled Sakùntala in its revised version) is a three-act opera by Franco Alfano, who wrote his own libretto, basing his work on Kalidasa's 5th-century BC drama Abhijñānaśākuntalam.
It was first performed at the Teatro Comunale in Bologna on 10 December 1921. The full score and orchestral materials were believed to have been destroyed when an allied bomb damaged the archives of Alfano's publisher Ricordi during World War II, so Alfano reconstructed the opera and it was performed at the Teatro dell'Opera in Rome on 5 January 1952 with the shortened title of Sakùntala. During preparations for a revival in Rome in April 2006, a copy of the original 1921 score was discovered in the Ricordi archives, and the opera was performed for the first time in its original form in modern times under its original name, La leggenda di Sakùntala. Critically regarded as Alfano's best work, though seldom staged in recent years, the opera was performed seven times for Italian radio between its premiere and 1979. These broadcasts featured such sopranos as Magda Olivero, Anna de Cavalieri, and Celestina Casapietra in the title role. The opera was also revived at the Wexford Opera Festival in 1982, and will be performed in concert on November 19, 2013 by Teatro Grattacielo, in New York.
The King encounters Sakùntala while hunting with his men near the remote woodland monastery where she lives. The King woos her, and overcoming her initial fear, promises that he will return, giving her a ring by which to remember him.
Daydreaming about the King, Sakùntala fails to hear the hermit Durvasas's entreaties to open the monastery's gate to admit him. Angered, he curses Sakùntala, proclaiming that the King would not remember her. Sakùntala begs a cloud to carry a message to the King. Harita returns to the monastery, and tells Sakùntala that she is with child.