Abhijñānaśākuntalam

Abhijñānashākuntala or Abhijñānaśākuntalam (Devanagari: अभिज्ञानशकुन्तलम्), is a well-known Sanskrit play by Kālidāsa, dramatizing the story of Shakuntala told in the epic Mahabharata. It is considered to be the best of Kālidāsa's works. Its date is uncertain, but Kālidāsa is often placed in the period between the 1st century BCE and 4th century CE.

The Sanskrit title means pertaining to the recognition of Śākuntalā, so a literal translation could be Of Śākuntalā who is recognized. The title is sometimes translated as The token-for-recognition of Śākuntalā or The Sign of Śākuntalā.

Abhijñānaśākuntalam is writen by Kalidas Although Kalidas makes some minor changes to the plot, the play elaborates upon an episode mentioned in the Mahabharata. The protagonist is Shakuntala, daughter of the sage Vishwamitra and the apsara Menaka. Abandoned at birth by her parents, Shakuntala is reared in the secluded, hermitage of the sage Kanva, and grows up a comely but innocent maiden.

While Kanva and the other elders of the hermitage are away on a pilgrimage, Dushyanta, king of Hastinapura, comes hunting in the forest and chances upon the hermitage. He is captivated by Shakuntala, courts her in royal style, and marries her. He then has to leave to take care of affairs in the capital. She is given a ring by the king, to be presented to him when she appears in his court. She can then claim her place as queen.

The anger-prone sage Durvasa arrives when Shakuntala is lost in her fantasies, so that when she fails to attend to him, he curses her by bewitching Dushyanta into forgetting her existence. The only cure is for Shakuntala to show him the signet ring that he gave her.

She later travels to meet him, and has to cross a river. The ring is lost when it slips off her hand when she dips her hand in the water playfully. On arrival the king refuses to acknowledge her. Shakuntala is abandoned by her companions, who return to the hermitage.

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