Paula Wessely
| Paula Wessely | |
|---|---|
Wessely in 1935
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| Born |
20 January 1907 Vienna, Austria-Hungary |
| Died | 11 May 2000 (aged 93) Vienna, Austria |
| Occupation | Actress |
| Years active | 1924–1987 |
| Spouse(s) | Attila Hörbiger |
Paula Anna Maria Wessely (20 January 1907 – 11 May 2000) was an Austrian theatre and film actress. Die Wessely (literally "The Wessely"), as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress.
She was born in Vienna, the daughter of butcher Carl Wessely, younger brother of the late Burgtheater actress Josephine Wessely (1860–1887), whom many believed or still believe to be her sister. Like her adored aunt, Paula Wessely prepared for an artistic career. From 1922 she attended the Vienna State Academy of Music and Performing Arts and later the Max Reinhardt Seminar, while she made her debut as an actress in 1924 at the Volkstheater, followed by several minor roles of the boulevard repertoire, also performing at the Raimund Theater.
Her career proceeded, when in 1926 she became a member of the New German Theatre ensemble in Prague, where she and her future husband Attila Hörbiger (1896–1987) performed in Les Nouveaux Messieurs by Flers and Croisset. In 1927 she returned to the Volkstheater, playing in Ibsen's The Lady from the Sea and Wedekind's Spring Awakening. After being denied the role of Jenny in Brecht's Threepenny Opera in 1929, she quit and joined the ensemble of the Theater in der Josefstadt under director Max Reinhardt. Strongly insisting on major roles, she performed in Der Gemeine by Felix Salten, together with Attila Hörbiger and Hans Moser. Supported by Reinhardt, she played in Schiller's Intrigue and Love at the 1930 Salzburg Festival and in 1932 also in Hauptmann's Rose Bernd under director Karlheinz Martin at the Deutsches Theater in Berlin, acclaimed by the audience as well as by critics like Alfred Kerr and colleagues like Werner Krauss. On 23 December 1932, having taken singing lessons, she played the leading role in the premiere of Fritz Kreisler's Singspiel Sissy at the Theater an der Wien. From 1933 until 1938 she again performed at the Salzburg Festival as Gretchen in Goethe's Faust, together with Ewald Balser. In 1936 she made her first appearance on the Burgtheater stage in Shaw's Saint Joan.
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