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This piglix contains articles or sub-piglix about Nightclubs in Birmingham, West Midlands
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AIR (nightclub)


AIR was a 2,000 capacity superclub located in Digbeth, Birmingham in England. AIR originally started out life as a spray shop for buses, when in 2000 the building was bought by Godskitchen and converted into a club, originally named CODE. In 2003, CODE had a complete refit and was renamed AIR, with an extra room of music being added to the two already in use. The club features state-of-the-art lighting and sound systems and in addition to Saturday nights Godskitchen AIR has hosted parties by Helter Skelter, Babooshka, Polysexual, Raveology, Hardcore Til I Die & Atomic Jam.

AIR is situated in an area of Digbeth synonymous with club culture, the "Custard Factory Quarter", named after the nearby Custard Factory, a centre for music and arts. Adjacent to the Custard Factory is the HMV Institute (formerly the Digbeth Institute), the original home of Godskitchen.

The 20-year lease contract originally taken out by Angel Music Group still remains in place but since 6 May 2012 the club has remained closed due to the slow demise of the Godskitchen brand caused mainly by a lack of direction and leadership and the high costs imposed by the Custard Factory landlords making it far cheaper to keep the doors closed than to open them.

Godskitchen has since moved to several different venues including the HMV Institute (its original home prior to Code opening in 2000), The Rainbow Warehouse textile factory and Boxxed in search of a new home for its brand and loyal fanbase

Coordinates: 52°28′32″N 1°52′57″W / 52.47556°N 1.88250°W / 52.47556; -1.88250



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Digbeth Institute


imageO2 Institute Birmingham

Digbeth Institute is a civic building in Digbeth, Birmingham, England also known as Digbeth Civic Hall. It is now operated as the O2 Institute Birmingham, a 2,900 capacity music venue. It has three main rooms: the 2,000-capacity main auditorium called "The Institute" which has a seated upper balcony, the downstairs room which holds up to 600 people called 'O2 Institute Birmingham2 (formerly 'The Library') and the 300-capacity upstairs room 'O2 Institute Birmingham3' (formerly 'The Temple').

Designed by Arthur Harrison, it was officially opened January 16, 1908 by the wife of the Pastor of Carrs Lane Church, John Henry Jowett, as an institutional church attached to Carr's Lane Congregational Church. In the week that followed, it hosted a variety of acts. The area which surrounded it was predominantly slums and industrial.

In 1954, the building was put up for sale by the trustees as they felt the building was not needed for its originally intended use. It was bought by Birmingham City Council in 1955 for £65,000 and was used as a civic hall.

People known to have made speeches at the Digbeth Institute include Neville Chamberlain, Henry Usborne, Florence L. Barclay and Herbert Hensley Henson.

In the late 1950s and early 1960s it housed the Midland Jazz club.

In 1987, the building was used as a film studio by the Birmingham Film and Video Workshop for the Channel 4 film 'Out Of Order'. The venue also played a part as one of the main locations in the feature film 'Lycanthropy', filmed in 2005–2006.

In the 1980s the venue was refurbished, and in 1998 The Sanctuary opened, which was to be the original home of the Cambridge/Northampton born club night Godskitchen. It also played host to club nights such as Atomic Jam, Uproar, Slinky, Sundissential, Athletico, Ramshackle, Insurrection, Inukshuk and Panic.



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The Elbow Room


The Elbow Room is a traditional nightclub in the Aston area of Birmingham, England. It played a significant part in the formation of the rock band, Traffic, in the late 1960s.



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Medicine Bar


Coordinates: 52°28′31″N 1°53′3″W / 52.47528°N 1.88417°W / 52.47528; -1.88417

The Medicine Bar is a bar in Birmingham, England. Located in the Custard Factory in Digbeth, it has hosted many techno, acid jazz, funk and hip hop events. It started as a collaboration in the 1990s between the London Medicine bar and local hip hop DJ 'Simon Fat Head', who began his career at the Brothers and Sisters at the Coast to Coast club on Broad Street.

Substance (which evolved out of Amplified) is the longest running hip hop night in the bar, with DJs Roc1, Magoo, Chris Reid (also from Scratch in London) and MC Mad Flow. It has brought hip hop acts including Afrika Bambaata, De La Soul and Jeru the Damaja to Birmingham.

Leftfoot is the bar's main funk and soul night which is part run by ex Rockers Hi-Fi DJ Dick and Adam Regan (who now owns the Bull's Head bar in the birmingham suburb of Moseley). Leftfoot hosts many large acid Jazz type events with appearances from Gilles Peterson to Mr Scruff. Both nights feature live acts.



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The Night Out Theatre Restaurant


The Night Out Theatre Restaurant in Horsefair, Birmingham was one of the country's premier cabaret venues throughout the 1970s and early 1980s.

The venue was custom built, with interior design by Todd Kingman. A 1400-seat auditorium, with all seats dining, was similar in style to the 'Moulin Rouge' but more glitzy.

The kitchen served an average of 1000 meals per night, six nights a week, and was split into two in later years, with 'Kitchen 2' dealing exclusively with the a-la-carte part of the extensive menu.

The venue was owned and operated by Trust House Forte (THF), Forte Group later 'Entam Leisure' (part of the Forte Group), then 'First Leisure', which also controlled London's 'Talk of the Town' Talk of the Town (nightclub) and 'The Golden Garter' in Manchester.

The Night Out first opened in April 1975 with a house band under Eddie Gray with lead singer Patti Sommers. The very first headline act to appear was 'Dana' Dana_Rosemary_Scallon

The original resident group was Moonlight, followed by Misty Morning, and then Delta Dawn.

The First General Manager was Clive Preston, later succeeded by Paul Lillicrap.

In the late 1970s Eddie Gray and Patti Sommers left The Night Out and the venue's musical directorship came under the late Roger Rae. Successive Stage Directors were Dave Goddard, Tony Jover, Cliff Dix and finally Martin Tasker.

The first compere was Scott Paul Young, who was followed by Ricki Disoni, and Frank Patterson.

The venue featured a huge range of major star artists during its existence, had royalty (Princess Anne) 'the Princess Royal' in its audience on one occasion, was the host venue for the 1981 Eurovision broadcast of 'Miss Europe' Miss Europe [1] and provided a nightly 'five hours non-stop show'.

The nightly 'House Show' which preceded the top of the bill act was staged and choreographed by Jean Clarke and produced by David Wiseman but was eventually scrapped in a cost cutting exercise that finally led to the venue becoming a disco (The Dome).

Notable performers included:- The Drifters, Cannon and Ball, The Dooleys, The Krankies, Roy Orbison, Charles Aznavour, Freddie Starr, Tom O'Connor, Lulu (singer),The Hollies, The Brother Lees, Tony Christie, Jack Jones, Wall Street Crash, David Essex, The New Vaudeville Band, Sacha Distel, The Grumbleweeds, Johnny Dankworth and Cleo Laine, The Nolans, Harry Secombe, Labbi Siffre, Gene Pitney, Odyssey, Marti Caine, Jim Davidson, Little and Large, The Stylistics, The Barron Knights, Brotherhood of Man, Showaddywaddy, Hot Gossip, The Three Degrees, Darts, Danny La Rue, Rolf Harris, Des O'Connor, Keith Chegwin, Mike Yarwood, Grace Kennedy, Bob Monkhouse, Jimmy Tarbuck, Kenny Lynch, Bucks Fizz, Cilla Black, Michael Bentine, Martin St James, Roger De Courcey, The Osmond Brothers and many other leading acts of the seventies and early eighties.



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Rum Runner (nightclub)


Coordinates: 52°28′41″N 1°54′39″W / 52.47794°N 1.91073°W / 52.47794; -1.91073

The Rum Runner was a nightclub on Broad Street, Birmingham. The club ran from 1964 until its demolition in 1987.

Originally a casino, by the 1970s the Rum Runner had become more of a conventional club. One of its first house bands, playing popular cover versions, went on to become Magnum featuring Bob Catley and Tony Clarkin. They left the club in 1975 to play their own material of melodic rock. Occasionally other live acts played such as Quill and Jigsaw.

Regular late night clientele were Black Sabbath, Roy Wood, Quartz and other notable Birmingham bands calling in after local gigs. Actors and staff from the nearby Central TV Studios also frequented the club.

In the late 1970s the club was renovated by Paul and Michael Berrow, sons of the club's founder, based on ideas drawn from a visit to Studio 54 in New York City.

In 1978 local band Duran Duran brought in a demo tape, and were offered a rehearsal space and jobs around the club—drummer Roger Taylor working as a glass collector, guitarist Andy Taylor cooking and maintaining the interior, bassist John Taylor working as a bouncer, and keyboardist Nick Rhodes DJing. The group became the resident band at the club. After playing their 1983 charity concert at Villa Park, they held the afterparty at the Rum Runner. In 2006 John Taylor and Nick Rhodes released a compilation album entitled Only After Dark, featuring their favorite songs from the Rum Runner playlist.



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Snobs (club)


imageSnobs

Snobs is a nightclub in Birmingham, England. It is located on Smallbrook Queensway at corner of Hurst Street. The club was founded over forty years ago in 1972, and has been visited by over 2.5 million people during its time.

Snobs primarily plays music within the genres of Indie rock, Rock and roll, retro, and Indie pop.

It was announced in August 2014 that the club will host its final night at the current venue on Sunday 21 September 2014, ahead of its £2 million relocation to a larger venue in Ringway Centre on Smallbrook Queensway which will hold 1,400 people.

Coordinates: 52°28′45″N 1°54′26″W / 52.4793°N 1.9073°W / 52.4793; -1.9073



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Tin Tins


Tin Tins was an all night dance club formerly located opposite Birmingham New Street Station at 308 Smallbrook Queensway in Birmingham, roughly on the site where the Debenhams store now stands as part of the new Bullring Shopping Centre. It was an influential club in the Birmingham dance scene and was the predecessor of, and influence for, many now well established clubs. It closed in 1997.

Tin Tins opened its doors as a gay club in the Spring of 1990, the brainchild of Brian Wigley and Martin Healey the owners of the drag cabaret bar Partners (now Glamorous) and was successful in the early years as a gay club particularly with a younger clientele, under the management of Stan Cherrington and Richard O'Donnell. The only other gay club in the city at the time was 'The Nightingale' more popular with an older predominantly male customer base.

During its formative years, the venue staged appearances from music acts including Lonnie Gordon, Hazel Dean, Sharon Redd, the pre-famous pop group Take That and a number of celebrity personalities, including "The Freak" from Prisoner Cell Block H and Lily Savage. The venue hosted DJ Funky Dunc, a member of the Hi-NRG scene.

The early management departed to open M&M's, a nearby gay bar and the Tin Tin's club then went on to further establish itself under its new team of Richard O'Donnell, David "Lotty" Nash and Phil Oldershaw who some years later went on to enjoy similar success with the "new" Nightingale Club.

The owners of the club then sold up to O'Donnell who made the commercial decision to capitalise on the club having one of the only all night licenses in the city and launched an after hours club night called 'Hype'. This saw Tin Tins move away from its prominence as a 100% gay club and allowed 'straight' clubbers entrance provided they were attitude free. This approach meant that the majority of the gay crowd stayed on, making Tin Tins unusual as mixed gay/straight clubs were not commonplace in the early nineties.

Uplifting house music was played upstairs and harder house in the new Hi-NRG style in the downstairs room where the DJ Tony De Vit played in the early days before moving on to his residency at Trade nightclub at Turnmills in London. Long term Resident DJ Paul Andrews and DJs such as Simon Baker and Dave Simmons helped to shape the music policy of the club and in turn affected the scene as a whole.



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