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Tempio Monumentale San Giuseppe, Modena


The Tempio Monumentale San Giuseppe (in English: Monumental Temple of St Joseph) or simplified as Tempio San Giuseppe was constructed in Modena, Italy, as a memorial for the 7237 fallen Modenese soldiers in the First World War. It is a Roman Catholic parish. It is located on Piazzale Natale Bruni, just off the Northwest corner of the Este Ducal Gardens, now the University of Modena Botanical Gardens.

The names of the fallen are inscribed in gilded letters on the walls of the crypt. The cornerstone was laid on December 8, 1923, in a ceremony with king Vittorio Emanuele III and Monsignor Natale Bruni, bishop of Modena, presiding. The church was inaugurated on 3 November, 1929. The church was designed by Domenico Barbanti and Achille Casanova. The façade decoration however was not completed till 1931 with engraved bas-reliefs by Adamo and Rubens Pedrazzi. The façade lunette over the portal was frescoed by Evaristo Cappelli, and depicts the Resurrection of Christ and the Nation takes the dead soldiers in its arms.

The layout of the church is a Greek cross, rising in the dome with a diameter of 15.8 meters with four octagonal towers at the corners. The stained glass rose window was designed by Guglielmo Da Re of Milan, and others depicting the four evangelists by Benedetto Boccolari.

The crypt is accessible by a central staircase. The archbishop Natale Bruni is buried in the first chapel on the left, a medallion with his visage was completed by Giuseppe Graziosi. The altar on the right is dedicated to the Madonna of Lourdes and was carved by the sculptor Vigni of Florence. The main altar has a ciborium in part work of the brothers Pedrazzi. To the left of the entrance is the baptistery, the bronze statue of St John the Baptist was sculpted by Graziosi. To the left is a chapel dedicated to those fallen during the Conquest of Ethiopia (1935-37). The Pietà in terracotta was sculpted by Manfredini.



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Santa Maria della Pomposa, Modena


imageSanta Maria della Pomposa, Modena

The church of Santa Maria della Pomposa in Modena, Italy, is an ancient church in the city, once located at the edge of the city walls. Its name derives from the Pomposa Abbey located near the delta of the Po River.

A religious building at the site was documented by 1153. In 1716, the Duke of Modena, Rinaldo I grants the building to his librarian Ludovico Antonio Muratori (1762 - 1750). Deconsecrated in 1774, along with the Aedes Muratoriana was granted by Duke Ercole III to the confraternity of St Sebastian. The church was reconsecrated in 1814. In 1922 Muratori was buried in the church, with a monument by Ludovico Pogliaghi. Among the works inside are a series of canvases depicting the Life of St Sebastian by Bernardino Cervi and an Enthroned Virgin with saints Sebastiano, Rocco, and Geminano by Giovanni Boulanger, copy of a Correggio painting now in Dresden. The adjacent museum celebrates the life and works of Ludovico Antonio Muratori.

L'interno

La tomba di Muratori



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Modena Cathedral


imageModena Cathedral

Modena Cathedral (Italian: Cattedrale Metropolitana di Santa Maria Assunta e San Geminiano but colloquially known as simply Duomo di Modena) is a Roman Catholic cathedral in Modena, Italy, dedicated to the Assumption of the Virgin Mary and Saint Geminianus. Formerly the seat of the Diocese, later Archdiocese, of Modena, it has been since 1986 the archiepiscopal seat of the Archdiocese of Modena-Nonantola. Consecrated in 1184, it is an important Romanesque building in Europe and a World Heritage Site.

Since the 5th century, two churches had existed on the site of the present cathedral: the discovery of the burial site of Saint Geminianus, Modena's patron saint, led to the destruction of those churches and building of this cathedral by 1099. The initial design and direction was provided by an architect known as Lanfranco, little else is known about this architect. The Saint's remains are still exhibited in the cathedral's crypt. The present cathedral was consecrated by Pope Lucius III on July 12, 1184.

After Lanfranco's work, the Cathedral was embellished by Anselmo da Campione and his heirs, the so-called "Campionese-masters". The current façade therefore exhibits different styles. The majestic rose-window was added by Anselmo in the 13th century, while the two lions supporting the entrance's columns are of Roman age, probably discovered while digging the foundations.

The façade has also notable reliefs by Wiligelmus, a contemporary of Lanfranco's; these include portraits of prophets and patriarchs, and most of all the Biblical Stories, a masterpiece of Romanesque sculpture. The scholars have pointed out the splendid achievements in the creation of Adam and Eve, the original sin and the story of Noah.



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