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Roman Catholic churches in Modena


This piglix contains articles or sub-piglix about Roman Catholic churches in Modena


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San Barnaba, Modena


San Barnaba is a Baroque architecture, Roman Catholic parish church in Modena, Italy.

Construction of the present church began in 1660, on the site of a former church from the 10th century. It underwent restoration in 1838. The ceiling has framed paintings by Sigismondo Caula and Jacopo Antonio Manini.

Coordinates: 44°38′44.3″N 10°55′19.5″E / 44.645639°N 10.922083°E / 44.645639; 10.922083



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San Bartolomeo, Modena


San Bartolomeo is a Baroque church in Modena.

The present church replaced a parish church at the site, and using designs by a Jesuit priest Giorgio Soldati of Lugano, construction began in 1607 and was completed in 1629 with a bell-tower. The façade was designed by the architect Andrea Galluzzi. The nave ceiling has a large fresco work by the Jesuit priest Giuseppe Barbieri (1642–1733), disciple of Andrea Pozzo.

Among the interior decoration are canvases by Jean Boulanger, Giacinto Brandi, Jacopino Consetti, Lorenzo Garbieri, Ludovico Lana, Aurelio Lomi, Piero Petruzzini, and Giuseppe Romani. The marble main altar was completed in 1620 and represents work by Giovanni Battista Bassoli, Cecilio Bezi, Giovanni Battista Censori, and Antonio Traeri. The present organ (1903) by the brothers Rieger replaces a 17th-century organ, lost in a 1902 fire, by the Jesuit Willem Hermans.

Coordinates: 44°38′40″N 10°55′32″E / 44.6445°N 10.9255°E / 44.6445; 10.9255



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San Carlo, Modena


San Carlo is a Baroque-style, former Roman Catholic church in Modena, Italy. It has been deconsecrated and is used as an auditorium.

Construction of the present church began in 1664 using designs of Bartolomeo Avanzini. The apse has a large painting San Carlo Borromeo among the people of Milan afflicted by the plague of 1576 by Marcantonio Franceschini.



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Chiesa Parrocchiale di Sant%27Agostino, Modena



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San Lazzaro, Modena


San Lazzaro is a Roman Catholic church in Modena, Italy. It is all that now remains of the former lazaretto or lepers' hospital built to the east of the city in the 12th century.



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San Pietro, Modena


The Monastery and Church of San Pietro (St Peter) is a building complex located on Via San Pietro in central Modena, Italy. The site still hosts an active Benedictine monastery, and the temple now serves as a parish church.

The Benedictine Abbey was founded in the year 983, and the adjacent church was rebuilt during 1476 to 1518. The work has been attributed to Pietro Barabani of Carpi.

The external frieze of the church peculiarly depicts secular images of hippocamps and winged satyrs completed by the brothers Bisogni. The interior was decorated during the early Renaissance by local artists, including terracotta sculptures by Antonio Begarelli. The sacristy has engraved choir benches (1548) by Gianfrancesco da Cremona. The interior has altarpieces by Francesco Bianchi Ferrari, Ercole dell'Abate, Giacomo Cavedone, Giovanni Gherardo Dalle Catene, J. van Ghelde, Giovanni Battista Ingoni, Ludovico Lana, Pellegrino Munari, Girolamo Romanino, C. Ricci, Ercole Setti, Giovanni Taraschi, Francesco da Verona, and others. The sacristy has frescoes attributed to Girolamo da Vignola. The wooden choir was carved by Gian Francesco Testi. The 16th century organ was made by Giovanni Battista Facchetti.

The monastery was suppressed during the French invasion of 1796, but re-opened with the restoration of the Duke of Modena. The monastery was again closed in 1866, although benedictines have remained parish priests.



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San Biagio, Modena


San Biagio is a Baroque architecture, Roman Catholic church, located on Via del Carmine #4 in central Modena, Italy.

The church, initially dedicated to the Virgin of the Carmine, was built in 1319, as an annex to a Carmelite Order monastery. However, the church we see today was rebuilt in 1649–1658 under the designs of Cristoforo Malagola. When the nearby church of San Biagio, which was located at what is now the Palazzo Montecuccoli degli Erri, was demolished in 1768, the two parishes were united, and renamed San Biagio del or nel Carmine. This church is mainly known now as San Biagio.

The choir and cupola of the church were decorated by the late Baroque master Mattia Preti with a fresco of God in Glory surrounded by the Saints. In the center ceiling of the sacristy are frescoes with Elias and the flaming chariot with quadratura by Agostino Mitelli and figures by Angelo Colonna. In the 14th-century cloister is a chapel with a fresco of Madonna and Child by Tommaso da Modena.

To the right of the entrance is the funereal monument of Countess Anna Maria Seghizzi (died 1821), designed and sculpted by Giuseppe Pisani. On the first arch is painting by Luigi Manzini depicting Saints Lucia, Agatha, and Apollonia. In the third arch is a painting attributed to either Dosso Dossi or Giovanni Gherardo delle Catene, depicting St Albert fighting a female demon (1530).

The pulpit and its marble reliefs were completed in the 14th and 15th-centuries. The fourth altar has 17th-century Crucifix by Gregorio Rossi.

The fifth arch has a canvas by Paolo Beroaldi depicting the patron saints of Modena: St Geminiano in center, flanked by St Omobono and St Contardo.



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Territorial Abbey of Nonantola


Nonantola Abbey, dedicated to Saint Sylvester, is a former a Benedictine monastery and prelature nullius in the commune of Nonantola, c. 10 km north-east of Modena, in the Emilia Romagna region of Italy. The abbey church remains as a basilica and is the co-cathedral of the diocese of Modena-Nonantola.

The abbey was founded in 752 by Saint Anselm, Duke of Friuli and brother-in-law of the Lombard king Aistulf. The latter richly endowed the new abbey, starting its role as one of the main landed proprietors of northern Italy. Pope Stephen II appointed Anselm its first abbot, and presented some relics of Saint Sylvester to the abbey, named in consequence S. Silvestro de Nonantula. After the death of Aistulf in 756, Anselm was banished to Monte Cassino by the new king, Desiderius, but was restored by Charlemagne after seven years. In 813 the abbot Peter of Nonantola was chosen as Imperial ambassador to Constantinople. His successor, Ansfrid, held the same post in 828. In 883 the abbey was chosen as the place of a conference between Charles the Fat and Pope Marinus I.

In 900 the monastery and church were completely destroyed by invading Hungarians, and all who had not fled were killed. Reconstruction began almost immediately.

Up to the 11th century Nonantola was an imperial monastery, and its discipline often suffered severely on account of imperial interference in the election of abbots: Nonantola was in fact one of the most powerful abbeys of Europe and control over it was considered a major issue by the emperors and popes. It had a famous scriptorium and the abbot Godeschalc had a new basilica built in 1058. At the beginning of the Investiture Conflict it sided with the emperor, until forced to submit to the pope by Matilda of Tuscany in 1083. It finally declared itself openly for the papal party in 1111. In that year the famous monk Placidus of Nonantola wrote his De honore Ecclesiæ, one of the most able and important defences of the papal position that was written during the Investiture Conflict.



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San Vincenzo, Modena


imageSan Vincenzo, Modena

The church of San Vincenzo is an Baroque style, Roman Catholic church located on Corso Canalgrande, number 75 in Modena, Italy.

Built on the site of a prior 13th century church, the Theatine order tore down the structure to build a new church.

The layout of the church resembles that of other Theatine churches such as Sant'Andrea della Valle in Rome. With a long nave and a number of side chapels. The architect, sometime after 1634, was Bartolomeo Avanzini. The interior stucco was mainly the work of Avanzini, who was also active in similar decoration at the Palazzo Ducale of Sassuolo.

In May 13, 1944, a bomb destroyed the presbytery and choir, destroying the apse and cupola frescoes (1671) by Sigismondo Caula. The apse, now bare, had a Glory of St Vincent. The main altar, restored after the bombing, was carved by Tommaso Loraghi. A funeral chapel for the Dukes of Este and their family was built in 1836 by Duke Francesco IV using designs by Francesco Vandelli. The first chapel on the left has an altarpiece of St Gregory reading by Guercino.



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