Zipper Catches Skin
| Zipper Catches Skin | ||||
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| Studio album by Alice Cooper | ||||
| Released | August 25, 1982 | |||
| Recorded | Mid-1982 at Cherokee Studios, CA | |||
| Genre | Rock, hard rock, pop punk, post-punk, new wave | |||
| Length | 32:25 | |||
| Label | Warner Bros. | |||
| Producer |
Alice Cooper and Erik Scott; "I Am The Future" – Steve Tyrell |
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| Alice Cooper chronology | ||||
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| Source | Rating |
| Allmusic |    |
Zipper Catches Skin is the fourteenth studio album by Alice Cooper, released in 1982.
Co-produced by Cooper and his bassist at the time, Erik Scott, Zipper Catches Skin is musically known for its dry and energetic hard rock style, with pop punk and post-punk influences and less emphasis on hard riffs, carrying on a similar musical direction of the preceding Special Forces with sonically slicker and clearer results. Lyrically, Cooper employed a much stronger focus on comical sarcasm and on avoiding using clichéd subject matter. Erik Scott has stated the album “was meant to be lean, stripped down, and low on frills. Punkish and bratty.” However, although it saw the return of guitarist Dick Wagner to Cooper’s band, Zipper is generally not considered to be up to the same standard as his previous works.
Despite its first single “I Am the Future” being featured in the film Class of 1984 as its theme song, and The Waitresses’ Patty Donahue appearing on its other single “I Like Girls”, Zipper Catches Skin failed to chart in most countries, including in the US where it became Cooper’s first album to not dent the Billboard Top 200 since Easy Action. The album’s inconspicuous front cover, featuring just the album’s lyrics with a smear of blood rather than exploiting the vivid imagery suggestive of the album’s title, did not help the situation.
At the time, Cooper described Zipper Catches Skin as “totally kill. Real hardcore. The stuff that I do has always been a lot like that. In fact, I invented a couple of songs that were remakes of other songs, just for the purpose of attacking clichés. There are no clichés on this album, and I did that for a specific reason. Rock and roll right now is jammed with clichés.” Cooper described the photograph of him on the album’s back cover as “very Haggar slacks. I look good. I look like a GQ ad, only I’m zipping up my pants and you can see definite pain on my face."”
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Wikipedia