Zhao Fei
| Zhao Fei | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Chinese name | 赵非 (traditional) | ||||||||
| Chinese name | 趙非 (simplified) | ||||||||
| Pinyin | Zhào Fēi (Mandarin) | ||||||||
| Origin | People's Republic of China | ||||||||
| Born | 1961 (age 55–56) Xi'an, Shaanxi |
||||||||
| Occupation | Cinematographer/Director of Photography | ||||||||
|
Awards
|
|||||||||
Zhao Fei (simplified Chinese: 赵非; traditional Chinese: 趙非, Mandarin pronunciation: [ʈʂɑ̂u̯ féi̯]; born 1961) is a Chinese cinematographer and frequent collaborator to many directors of the China's so called "fifth generation" film movement. Zhao also served as Woody Allen's director of photography for three films between 1998 and 2001.
Born in 1961 in Xi'an, Shaanxi province, Zhao was the son of an architect. Growing up during the turbulent years of the Cultural Revolution, Zhao began his career in film when he applied to the newly reopened Beijing Film Academy in 1978. Zhao would study cinematography and graduate in 1982 with others of the so-called "fifth generation" including directors Chen Kaige, Zhang Yimou, and Tian Zhuangzhuang.
Working throughout the 1980s, Zhao would act as the director of photography ("DOP") for Tian Zhuangzhuang's The Horse Thief, Huang Jianxin's Samsara, and others. In 1991, Zhao worked with director Zhang Yimou on his magnum opus, Raise the Red Lantern. For Zhao, the production of Raise the Red Lantern was a major turning point, allowing him to synthesize his previous experiences with painting and art and his current responsibilities as a cinematographer.
By the late 1990s, Zhao had built up an impressive resume, but little would prepare him for the working with Chen Kaige on his historical epic The Emperor and the Assassin. Chen specifically asked for Zhao to work as the DOP for the project, realizing that the ambitious scope of the film would need someone who was disciplined but resourceful. Zhao's work on The Emperor and the Assassin would take up months and then years, and required Zhao to research historical castles, fortifications, and the minutiae of China's Warring States period. The actual production was equally intense, as Zhao would often have to create makeshift dollies and other contraptions to capture shots.
...
Wikipedia