Tsukioka Yoshitoshi | |
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Tsukioka Yoshitoshi (Owariya Yonejiro)
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Born | 30 April 1839 Edo, Japan |
Died | June 9, 1892 (aged 53) |
Nationality | Japanese |
Known for | Ukiyo-e |
Tsukioka Yoshitoshi (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年; 30 April 1839 – 9 June 1892) was a Japanese artist.
He is widely recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.
By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
His life is perhaps best summed up by John Stevenson:
His reputation has only continued to grow, both in the West, and among younger Japanese, and he is now almost universally recognized as the greatest Japanese artist of his era.
Yoshitoshi was born in the Shimbashi district of old Edo, in 1839. His original name was Owariya Yonejiro. His father was a wealthy merchant who had bought his way into samurai status. At the age of three years, Yoshitoshi left home to live with his uncle, a pharmacist with no son, who was very fond of his nephew. At the age of five, he became interested in art and started to take lessons from his uncle. In 1850, when he was 11 years old, Yoshitoshi was apprenticed to Kuniyoshi, one of the great masters of the Japanese woodblock print. Kuniyoshi gave his apprentice the new artist's name "Yoshitoshi", denoting lineage in the Utagawa School. Although he was not seen as Kuniyoshi's successor during his lifetime, he is now recognized as the most important pupil of Kuniyoshi.