Yiddish Theatre District

Yiddish Theatre District
District
poster for The Yiddish King Lear

The Yiddish Theatre District, also called the Jewish Rialto and the Yiddish Realto, was the center of New York City's Yiddish theatre scene in the early 20th century. It was located primarily on Second Avenue, though it extended to Avenue B, between Houston Street and East 14th Street on the Lower East Side and East Village in Manhattan. The District hosted performances in Yiddish of Jewish, Shakespearean, classic, and original plays, comedies, operettas, and dramas, as well as vaudeville, burlesque, and musical shows.

By World War I, the Yiddish Theatre District was cited by journalists Lincoln Steffens, Norman Hapgood, and others as the best in the city. It was the leading Yiddish theater district in the world. The District's theaters hosted as many as 20 to 30 shows a night.

After World War II, however, Yiddish theater became less popular. By the mid-1950s few theaters were still extant in the District.

In 1903, New York's first Yiddish theater was built, the Grand Theatre. In addition to translated versions of classic plays, it featured vaudeville acts, musicals, and other entertainment.

In addition to Yiddish theaters, the District had related music stores, photography studios, flower shops, restaurants, and cafes (including Cafe Royal, on East 12th Street and Second Avenue). Metro Music, on Second Avenue in the District, published most of the Yiddish and Hebrew sheet music for the American market until they went out of business in the 1970s. The building at 31 East 7th Street in the District is owned by the Hebrew Actors Union, the first theatrical union in the US.

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