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Wrath of Khan

Star Trek II: The Wrath of Khan
Star Trek II The Wrath of Khan.png
Theatrical release poster art by Bob Peak
Directed by Nicholas Meyer
Produced by
Screenplay by
Story by
Based on Star Trek
by Gene Roddenberry
Starring
Music by James Horner
Cinematography Gayne Rescher
Edited by William Paul Dornisch
Distributed by Paramount Pictures
Release date
  • June 4, 1982 (1982-06-04)
Running time
112 minutes
Country United States
Language English
Budget $11.2 million
Box office $97 million

Star Trek II: The Wrath of Khan is a 1982 American science fiction film released by Paramount Pictures. It is the second film based on Star Trek, and is a sequel to Star Trek: The Motion Picture (1979). The plot features Admiral James T. Kirk (William Shatner) and the crew of the starship USS Enterprise facing off against the genetically engineered tyrant Khan Noonien Singh (Ricardo Montalbán), a character who first appeared in the 1967 Star Trek television series episode "Space Seed". When Khan escapes from a 15-year exile to exact revenge on Kirk, the crew of the Enterprise must stop him from acquiring a powerful terraforming device named Genesis. This film is the beginning of a story arc that continues with the 1984 film Star Trek III: The Search for Spock and concludes with 1986's Star Trek IV: The Voyage Home.

After the lackluster critical and commercial response to The Motion Picture, series creator Gene Roddenberry was forced out of the sequel's production. Executive producer Harve Bennett wrote the film's original outline, which Jack B. Sowards developed into a full script. Director Nicholas Meyer completed the final script in 12 days, without accepting a writing credit. Meyer's approach evoked the swashbuckling atmosphere of the original series, and the theme was reinforced by James Horner's musical score. Nimoy had not intended to have a role in The Motion Picture's sequel, but was enticed back on the promise that his character would be given a dramatic death scene. Negative test audience reaction to Spock's death led to significant revisions of the ending over Meyer's objections. The production used various cost-cutting techniques to keep within budget, including utilizing miniatures from past projects and re-using sets, effects footage and costumes from the previous movie. Among the film's technical achievements is it being the first feature film to contain a complete sequence created entirely with computer-generated graphics.


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