While women artists have been involved in making art throughout history, their work often has not been as well acknowledged as that of men. Often certain media are associated with women artists, such as textile arts. Women's roles in relation to art, of course, vary in different cultures and communities. Many art forms considered to be created predominantly by women have been historically dismissed from the art historical canon as craft, as opposed to fine art. Women artists faced challenges due to gender biases in the mainstream fine art world. They have often encountered difficulties in training, travelling and trading their work, and gaining recognition. Beginning in the late 1960s and 1970s, feminist artists and art historians created a Feminist art movement that overtly addresses the role of women in the art world and explores the role of women in art history and in society.
There are no records of who the artists of the prehistoric eras were, but studies of many early ethnographers and cultural anthropologists indicate that women often were the principal artisans in Neolithic cultures, in which they created pottery, textiles, baskets, painted surfaces and jewelry. Collaboration on large projects was typical. Extrapolation to the artwork and skills of the Paleolithic era suggests that these cultures followed similar patterns. Cave paintings of this era often have human hand prints, 75% of which are identifiable as women's.
"For about three thousand years, the women – and only the women – of Mithila have been making devotional paintings of the gods and goddesses of the Hindu pantheon. It is no exaggeration, then, to say that this art is the expression of the most genuine aspect of Indian civilization."
The earliest records of western cultures rarely mention specific individuals, although women are depicted in all of the art and some are shown laboring as artists. Ancient references by Homer, Cicero, and Virgil mention the prominent roles of women in textiles, poetry, music, and other cultural activities, without discussion of individual artists. Among the earliest European historical records concerning individual artists is that of Pliny the Elder, who wrote about a number of Greek women who were painters, including Helena of Egypt, daughter of Timon of Egypt, Some modern critics posit that Alexander Mosaic might not have been the work of Philoxenus, but of Helena of Egypt. One of the few named women painters who might have worked in Ancient Greece, she was reputed to have produced a painting of the battle of Issus which hung in the Temple of Peace during the time of Vespasian. Other women include Timarete, Eirene, Kalypso, Aristarete, Iaia, and Olympias. While only some of their work survives, in Ancient Greek pottery there is a caputi hydria in the Torno Collection in Milan. It is attribute to the Leningrad painter from circa 460-450 B.C. and shows women working alongside men in a workshop where both painted vases.