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With God on Our Side

"With God on Our Side"
Song by Bob Dylan from the album The Times They Are a-Changin'
Released January 13, 1964
Recorded August 7, 1963
Genre Folk
Length 7:08
Label Columbia
Writer(s) Bob Dylan
Producer(s) Tom Wilson
The Times They Are a-Changin' track listing

"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album The Times They Are A-Changin'. Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963. Dylan is known to sing the song only rarely in concert.

The lyrics address the tendency of nations, tribes, or societies to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, the Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot; the song made no explicit reference to the Vietnam War until live renditions in the 1980s, when an additional verse ran thus:

In the nineteen-sixties came the Vietnam War
Can somebody tell me what we're fightin' for?
So many young men died
So many mothers cried
Now I ask the question
Was God on our side?

Music critic Tim Riley once wrote: "'With God on Our Side' manages to voice political savvy mixed with generational naivete" as it "draws the line for those born long enough after World War I to find its issues blurry ('the reasons for fightin'/I never did get') and who view the forgiveness of the World War II Germans as a farce."

The melody of "With God on Our Side" is essentially identical to the traditional Irish folk song "The Merry Month of May", which was also used by Dominic Behan in his song "The Patriot Game". The opening verse is also similar to the second verse of Behan's song, in which the narrator gives his name and age. Behan criticized Dylan publicly by claiming the melody as an original composition. Behan took the view that the provenance of Dylan's entire body of work must be questioned. Behan exercised the same folk tradition as Dylan in writing the song, having himself borrowed the melody.


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