10 tracks
Side one "The Times They Are a-Changin'" "Ballad of Hollis Brown" "With God on Our Side" "One Too Many Mornings" "North Country Blues" Side two "Only a Pawn in Their Game" "Boots of Spanish Leather" "When the Ship Comes In" "The Lonesome Death of Hattie Carroll" "Restless Farewell"

10 tracks
Side one "The Times They Are a-Changin'" "Ballad of Hollis Brown" "With God on Our Side" "One Too Many Mornings" "North Country Blues" Side two "Only a Pawn in Their Game" "Boots of Spanish Leather" "When the Ship Comes In" "The Lonesome Death of Hattie Carroll" "Restless Farewell"

"North Country Blues" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. He also performed it at the 1963 Newport Folk Festival.

Its apparently simple format (ten verses of ABCB rhyme scheme), accompanied by only two chords (C#m & Bb) and subject matter (the perils of life in a mining community and its ultimate demise) appears to have been influenced by Woody Guthrie.

The specific location of the town is never stated. However, a location on the Iron Range in northern Minnesota is suggested by the song's title, Dylan's childhood residence in Hibbing, Minnesota, and the reference to "iron ore" and "red iron." The reference to "red iron pits" strongly suggests the location is on the Mesabi Range, a portion of the Iron Range where open-pit mining has predominated, and where Hibbing is situated.

The song opens with a deliberately conventional opening (Come gather round friends and I'll tell you a tale...). However, the darkness of the tale soon becomes apparent. Each verse contains at least one tragic situation or event:

Dylan hides the fact that the narrator is a woman to the end of verse four. The song ends bleakly, as by this time the woman has lost her husband, mother, father and brother; the mine is closed and the town is virtually abandoned; and soon her children will leave her in complete isolation and desolation.

Within this apparently restricting and morose format, referred to as a "formally conservative exercise in first-person narrative" Dylan manages to achieve significant tonal and expressive variation, and the song is considered by some to be one of his most effective in the 'folk-song' genre.

In 1968, Joan Baez included a cover of "North Country Blues" on her Dylan tribute album Any Day Now.

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Wikipedia