Wilson das Neves
| Wilson das Neves | |
|---|---|
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| Background information | |
| Born |
June 14, 1936 Rio de Janeiro, Brazil |
| Genres | |
| Occupation(s) | |
| Instruments | |
| Years active | 1950–present |
Wilson das Neves (born June 14, 1936) is a Brazilian percussionist and singer from in Rio de Janeiro, Brazil. He is a key figure in the history of Brazilian music having played with many of Brazil's greatest musicians across many decades and featured on numerous important recordings.
Das Neves grew up in Rio de Janeiro in the 1940s and by the age of 14 was already learning his trade as a percussionist, studying under Moacir Santos. At the age of 21 he went on tour with "Orquestra de Permínio Gonçalves" and in 1959 he played with the Ubirajara Silva's group. In 1962 he got a place on National Radio where he stayed for a year before being offered to play with the Orquestra Sinfônica do Theatro Municipal do Rio de Janeiro, with whom he stayed until 1964. He then worked for the TV stations, spending time at Excelsior, Globo and Rede Tupi. He also contributed to recordings by Astor Silva and the Conjunto Ed Lincoln.
In 1964 Wilson das Neves recorded with Os Ipanemas, a band with Astor Silva (trombone) Marinho, Rubens Bassini (percussion) and Neco (guitar). They released only one album in the 1960s which has achieved cult status. It was released in 1964 and features a mix of bossa nova, Brazilian samba, African rhythms and jazz.
During his career das Neves worked with many great international artists including Sarah Vaughan, Toots Thielemans, Sy Oliver and Michel Legrand. In Brazil he played with key musicians from the MPB movement such as Roberto Carlos, Chico Buarque, Eumir Deodato, Elizeth Cardoso, Clara Nunes, Elza Soares, Elis Regina, Alcione and Beth Carvalho. He also appeared alongside Copinha at the Monte Carlo Casino.
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