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Wilderstein

Wilderstein
Wilderstein mansion 2007 02.jpg
House in 2007
General information
Architectural style Queen Anne
Location Rhinebeck, NY, United States
Coordinates 41°53′38.40″N 73°56′31.81″W / 41.8940000°N 73.9421694°W / 41.8940000; -73.9421694Coordinates: 41°53′38.40″N 73°56′31.81″W / 41.8940000°N 73.9421694°W / 41.8940000; -73.9421694
Construction started 1852
Client Thomas Holy Suckley
Design and construction
Architect John Warren Ritch, Arnout Cannon, Joseph Burr Tiffany

Wilderstein is a 19th-century Queen-Anne-style country house on the Hudson River in Rhinebeck, Dutchess County, New York, United States.

In 1852, Thomas Holy Suckley, a businessman and real-estate investor as well as a member of the wealthy Beekman and Livingston family, purchased the river-front property, which until then had served as a sheep meadow for the adjacent Wildercliff estate.

Suckley and his wife Catherine Murray Bowne chose the property as a building site for their mansion, because they considered the landscape a good match for their picturesque aesthetic ideal. The name "Wilderstein" ("wild stone" in German) was chosen by Suckley to allude to an American Indian petroglyph found nearby and reflect the site's historical significance.

The mansion commissioned for the site was a two-storey Italianate villa designed by architect John Warren Ritch. In 1888, Thomas Suckley's son Robert Bowne Suckley and his wife, Elizabeth Philips Montgomery, undertook a remodelling and enlargement of the house. This work was carried out by the local architect Arnout Cannon from Poughkeepsie. The style of the mansion was changed to a Queen Anne style country house. A third floor, a multi-gabled attic, a circular five-storey tower, a porte-cochère, and a verandah were added in the process. The new interior of the building was designed by Joseph Burr Tiffany, a cousin of Louis Comfort Tiffany. The rooms of ground floor were done in Historic Revival Style and in the aesthetic movement style using materials such as use mahogany, leather, stained glass, and linen.

In parallel to the redesign of the mansion proper, the grounds of the estate were transformed by landscape architect Calvert Vaux according to the American Romantic Landscape style. Vaux's design comprised the creation of a network of drives and trails, the positioning of specimen trees and ornamental shrubs as well as the placement of an eclectic set of out buildings such as a carriage house, a gate lodge, and a potting shed. Gazebos and garden seats were positioned at carefully chosen vantage points.


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