Room Service | ||||
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Studio album by Bryan Adams | ||||
Released | 10 September 2004 | |||
Recorded | 29 September 2003 – 4 June 2004 | |||
Genre | Rock | |||
Length | 39:14 | |||
Label |
Polydor Mercury (US) |
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Producer | Bryan Adams | |||
Bryan Adams chronology | ||||
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Singles from Room Service | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
BBC | (mixed) |
Entertainment Weekly | C− |
Rolling Stone | |
Uncut | |
USA Today |
Room Service is the tenth studio album by the Canadian singer-songwriter Bryan Adams. Released on 10 September 2004 by Polydor Records, Room Service was the first release of new Adams material since the soundtrack album Spirit: Stallion of the Cimarron in 2002 and the first studio album in six years since On a Day Like Today. Adams produced the album and co-wrote the songs with various co-writers, the themes of the songs being varied between street life, touring, truth, love and relationships.
Room Service was a success entering the charts in more than 15 countries, peaking at number one in Germany and Switzerland and top ten in seven other territories. The album didn't fare as well in the United States, where it was released by Adams without a record label, but worldwide the album has sold 3 million copies.
Five songs were released from the album in various forms and at various times: "Open Road", "Flying", "Room Service", "This Side of Paradise" and "Why Do You Have to Be So Hard to Love?"; the first three were released as physical singles internationally and the last two as radio-airplay singles. The album's first single charted within the top twenty on the Canadian Singles Chart, the second within the top forties in Canada and the top hundred in Europe; "Room Service" was less commercially successful. The album was nominated for two Juno Awards, for "CD/DVD Artwork Design of the Year" and "Artist of the Year".
Adams first started working on the album in 2001, but switched his focus on the soundtrack album, Spirit: Stallion of the Cimarron which was scheduled for release in 2002. Adams had started working on the album in The Warehouse Studio, Canada, but he ran out of time because he was about to headline a tour in Europe. He, together with his associates, created a system and decided to do small overdubs while on tour, to see how it worked out. The idea of recording while on tour was mainly due to boredom on Adams' part. With his earlier releases Adams used, in his own words, to "go kind of nuts, a bit stir crazy", so he began using his spare time on tour to write and record new songs. "I tried to make use of the time which is generally spent doing nothing," Adams said. He was able to gather enough equipment into a couple of suitcases to create a small studio for himself. They'd normally order a couple of rooms, order room service, and then begin the recording season. Adams believed it to be a better working environment, even when he and the crew moved the gear many times during a season, and they would normally get help from the local staff.