Whitefriars Theatre

The Whitefriars Theatre was a theatre in Jacobean London, in existence from 1608 to the 1620s — about which only limited and sometimes contradictory information survives.

The Whitefriars district was outside the medieval city walls of London to the west; it took its name from the priory of Carmelite monks ("white friars" due to their characteristic robes) that had existed there before Henry VIII's Dissolution of the Monasteries. Until 1608 the Whitefriars district was a liberty of the City, beyond the direct control of the Lord Mayor and the aldermen; as such, it tended to attract the elements of society that had an interest in resisting authority. Like actors: there is a single reference to a theatre in Whitefriars that was suppressed sometime in the reign of Queen Elizabeth.

In 1608, Michael Drayton and Thomas Woodford, nephew of the playwright, Thomas Lodge, leased the mansion house of the old priory from Lord Buckhurst, for a term of seven years. They constructed what was then called a "private" theatre (as opposed to the large open-air "public" theatres like the Globe) in the refectory or hall of the building. The new theatre was occupied at first by the King's Revels Children during that company's brief life. In 1609 their place was taken by the Children of the Queen's Revels; that company acted Nathan Field's plays A Woman is a Weathercock and Amends for Ladies there, as well as Ben Jonson's Epicene, George Chapman's The Revenge of Bussy D'Ambois, Beaumont and Fletcher's The Scornful Lady, John Marston's The Insatiate Countess, and Robert Daborne's A Christian Turn'd Turk.

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